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Book Information
"This is a book about making art. Ordinary art. Ordinary art means something like: all art not made by Mozart. After all, art is rarely made by Mozart-like people; essentially—statistically speaking—there aren't any people like that. Geniuses get
made once-a-century or so, yet good art gets made all the time, so to equate the making of art with the workings of genius removes this intimately human activity to a strangely unreachable and unknowable place. For all practical purposes making art can
be examined in great detail without ever getting entangled in the very remote problems of genius."—-from the Introduction

Art & Fear explores the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. The book's co-authors, David Bayles and Ted Orland, are themselves both working
artists, grappling daily with the problems of making art in the real world. Their insights and observations, drawn from personal experience, provide an incisive view into the world of art as it is expeienced by artmakers themselves.

This is not your typical self-help book. This is a book written by artists, for artists -— it's about what it feels like when artists sit down at their easel or keyboard, in their studio or performance space, trying to do the work they need to do.
First published in 1994, Art & Fear quickly became an underground classic. Word-of-mouth response alone—now enhanced by internet posting—has placed it among the best-selling books on artmaking and creativity nationally.

Art & Fear has attracted a remarkably diverse audience, ranging from beginning to accomplished artists in every medium, and including an exceptional concentration among students and teachers. The original Capra Press edition of Art & Fear sold 80,000
copies.

An excerpt:

Today, more than it was however many years ago, art is hard because you have to keep after it so consistently. On so many different fronts. For so little external reward. Artists become veteran artists only by making peace not just with themselves, but
with a huge range of issues. You have to find your work...


Book ID Asin: 0961454733
Book Title: Art & Fear: Observations On the Perils (and Rewards) of Artmaking Book Author: David BaylesTed Orland
Book Format and Price:
Book Format Name: Kindle
Book Format Price: $6.64
Book Format Name: Audiobook
Book Format Price: $0.00
Book Format Name: Paperback
Book Format Price: $11.39
Book Format Name: Audio CD
Book Format Price: $47.99
Book Format Name: Digital
Book Format Price: $—
Book Price: $11.39
Book Category: Books, Education & Teaching, Schools & Teaching and unknown
Book Rating: 1,956 ratings
Book Product Detail
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Book Review
Name: SPower
Rating: 2.0 out of 5 stars
Title: ShouldbetitledTheFearoftheArtProfessoranditslackofculturalrelevance Date: Reviewed in the United States on February 26, 2020
Review: I am seldom moved to write a review but I really disliked this book. It exposes both the arrogance and irrelevance of the academic art world. It is written pre internet and it shows. I would recommend passing on this. It supports a point of view
that should be dead. Really never even uttered. It is merely an attempt to justify the existence of a very small group of people’s hold on a pretty worthless world view. Obviously art school is an indulgence if you art going there to “learn to be an
artist”. The main premise of the book is why do 95% of students stop making work after art school. It certainly isn’t fear. The need to press on with it in order to promote the idea that “I am an artist” is obviously a bad move. There is nothing
special about making things. Either it is something you must do or it isn’t. 95% of people stop not because of fear but because of time and money. It is that simple. It has nothing to do with courage and the neurotic self important view that this book
promotes.I gave it two stars because I don’t value opinion enough, mine as well, to bash it completely. I just believe that if you have been making things for a long time then this book is worthless and if you are just starting out this is a point of
view that should be eradicated. Maybe if art professors didn’t push their own insecurities and inflated self importance on the students then more would continue. But unfortunately just like every where else it is competition and ego that is pushed.No
where does competition belong less than in art. Whatever that is. Your work is a personal journey. Unless you are making money and on some kind of consignment. Then it is a job like any other and your skills are craft like any other artisan.I can’t
believe I spent this much time on this but it hit a nerve. All of my art school friends struggled with these issues and it was the perspective itself that was impossible to overcome. The perspective in this book encourages fear in the form of insecurity
and then gives a view that resolves fear which is self importance.Avoid it.

Name: Nancy Lemon
Rating: 5.0 out of 5 stars
Title: AnimmensehelpgavemetheMotivationIneededtopickupmyBrushes
Date: Reviewed in the United States on April 23, 2018
Review: Great Book.... recently retired & decided to finally explore Watercolor painting .... got all the supplies, desk, lamp etc.... and there they sat.... for almost 6 months... reading this book was a revelation AND a release... made me realize I was
the only one standing in my own way! A MUST READ for ALL who, like me, we’re afraid to start.

Name: danny3mc
Rating: 4.0 out of 5 stars
Title: SolidlywrittenOffersdirectandbriefadvice
Date: Reviewed in the United States on January 7, 2018
Review: If you have ever pursued a creative medium this book is for you. It's as important for aspiring artist to own as a pencil, brush, or camera. It will challenge you to reevaluate your expectations and reframe your artistic pursuits in a manner that
will allow for perpetual growth and minimize potential for burn out or "losing it". It takes the complex tumble of an artist's brain and reduces it to relatable examples and simple phrases. This allows for easy future recall. Worth every penny, but
relatively short. It's brevity , while a merit, also leaves the reader wanting more when completed.

Name: J. Bullard
Rating: 3.0 out of 5 stars
Title: Commisserationforwhenyourartistfriendsarentavailable
Date: Reviewed in the United States on July 12, 2015
Review: I didn't know quite what to expect when I picked this up. I bought the book quite a while ago on the recommendation of someone else. What the book is is a commiseration on the trials of art making, marketing, etc., the entire process. Based on my
own experience creating art I question the word "fear". Doubt, frustration, creative blocks, external obstacles all apply, but I can't ever say fear has been what has hindered me. If you are looking for confirmation that you are not alone in dealing with
these things and you don't have a circle of artist friends with whom you can commiserate, this just could be the book you need to prod you to plunge forward anyway. If you are looking for answers, tips or tricks to overcome the things that beset you, you
will be disappointed. Indeed, those can only come from you anyway.

Name: Nadia P
Rating: 4.0 out of 5 stars
Title: Canon
Date: Reviewed in the United States on December 30, 2015
Review: I found one segment of this book particularly helpful, the concept of an artist's "canon." It's a bit of a misleading term - not referring to the body of work but more the routines and rituals of the artist. Essentially, routine is not the enemy
of the artist, and you should be conscious of your routines and embrace the ones that make you most productive. Doesn't matter if that's slamming a Red Bull at 11:30 PM and pulling out the Wacom tablet for some gestures, or doing your thumbnails in a
specific sketchbook at your favorite park, or just taking the time to sort and organize your materials before you start and after you finish. If it works for you, make it habit, because it'll let you focus on what matters: your art.

Name: Another reader
Rating: 5.0 out of 5 stars
Title: ImapainterandthisbookisamazingFirstIwanttostatethatIam
Date: Reviewed in the United States on October 17, 2015
Review: I'm a painter and this book is amazing. First I want to state that I am a strong self-assured person that defines myself through my faith & my painting in order to feel like myself. I began having specific fears that began to cripple me regarding
my painting. Had it not been for this book, I was at a point to where I probably would've actually stopped painting. This book has helped me to get back into my studio and embrace painting again with the abundant knowledge the authors have passed along.
I had absolutely no idea how many artist feel the same as I do. Most artists hide their fears very well. This book is such an eye opener in that I realized I wasn't alone. By understanding this along with the specific fears, it's helped release much of
the tension and fear I've had, and the ones that return to me. It is my favorite book about art because I now see things with more clarity in my own work and that of others. When I view paintings by others then I wonder what was behind the minds of the
artist regarding any fears. It would be a lie to state that an artist has no fears at all. The knowledge I now have from the book has made me feel a closer connection to all present artists and all from the past.

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