On Monday, October 14, 2002 at 8:44:57 PM UTC-5, James Robinson wrote:
Ronald Bruck wrote:
I have a number of slides which are labeled "Anscochrome". In
researching this on the web, I discover this was a (slow) positive
film. Thus I suspect Anscochrome was used for duplicating slides.
No, Anscochrome was a standard slide film, a competitor to Kodak's
Ektachrome line. It was introduced in about 1955, and used the E4
process. Ansco was based in Binghamton, NY, and was owned by GAF at the time. There was an ASA 64 version, and they later came out with an ASA
200 version, which was the fastest slide film available at the time. In
about 1970, the parent company renamed the film GAF slide film, and used Henry Fonda as their spokesman. The film was popular because it was inexpensive.
Ansco made other types of film along with photographic paper. Their
parent, GAF, manufactured inexpensive consumer cameras and slide
projectors. They stopped producing the film in the mid-1970s.
Can anyone verify that this was (at least a common) use for this film?
Is it still in use? What do people use today?
If you are asking about duplicating film, Kodak manufactures a film specifically for this purpose called EDupe. It will accurately render
proper skin tones in the duplicate, and will not accumulate contrast as
a standard reversal film would. It is somewhat difficult to use, since
you have to color balance each batch of film you are trying to
duplicate, and it is a bit of a trial and error process. For best
results, you need an accurate light source with dichroic color
correction filters.
GAF had their own process for the slide film. although similar to E4 you could not use E4. Probably due to patent issues, the process was similar but not the same. I remember you had to still re-expose the film to light after the first processing steps.
Kodak used a chemical fogger instead by this time. GAF sold home processing kits which I bought to process at home. I do not know what the name of the process was. Originally developed from Agfa's color films in the 1940's it might have been very
similar to Agfachrome. In the mid 1970s it came in 126 and 35mm (and I think 120) and was in the 64, 200 and 500 speeds. Kodak changed process from C22 to C41 in this time period and GAF had just finally gotten a good color negative film out for C22.
They sued Kodak and eventually won, but by this time they had decided to exit the film business. Fuji entered the US market around this time and benefited from the court order that forced Kodak to share patents and film formats with competitors.
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