• Oxford, Shakespeare and Milton's Limbo of Vanity (2/2)

    From Dennis@21:1/5 to All on Thu Jan 6 14:21:36 2022
    [continued from previous message]

    First then that som men (whether this were by him intended, or by his Friends) have by policy accomplish'd after death that revenge upon thir Enemies, which in life they were not able, hath been oft related. And among other examples we finde, that the
    last will of Cæsar being read to the people, and what bounteous Legacies he had bequeath'd them, wrought more in that Vulgar audience to the avenging of his death, then all the art he could ever use, to win thir favor in his life-time. And how much
    their intent, who publish'd these overlate Apologies and Meditations of the dead King, drives to the same end of stirring up the people to bring him that honour, that affection, and by consequence, that revenge to his dead Corps, which he himself living
    could never gain to his Person, it appears both by the conceited portraiture before his Book, drawn out to the full measure of a Masking Scene, and sett there to catch fools and silly gazers; and by those Latin words after the end, Vota dabunt quæ Bella
    negarunt; intimating, That what he could not compass by Warr, he should atchieve by his Meditations. For in words which admitt of various sense, the libertie is ours to choose that interpretation, which may best minde us of what our restless enemies
    endeavor, and what wee are timely to prevent. And heer may be well observ'd the loose and negligent curiosity of those who took upon them to adorn the setting out of this Book: for though the Picture sett in Front would Martyr him and Saint him to befool
    the people, yet the Latin Motto in the end, which they understand not, leaves him, as it were, a politic contriver to bring about that interest by faire and plausible words, which the force of Armes deny'd him. But quaint Emblems and devices, begg'd from
    the old Pageantry of some Twelf-nights entertainment at Whitehall, will doe but ill to make a Saint or Martyr: and if the People resolve to take him Sainted at the rate of such a Canonizing, I shall suspect thir Calendar more then the Gregorian. In one
    thing I must commend his op'nness who gave the title to this Book, Εικων Βασιλικη, that is to say, The Kings Image; and by the SHRINE he dresses out for him, certainly would have the people come and worship him. For which reason this answer
    also is intitl'd, Iconoclastes, the famous Surname of many Greek Emperors, who in thir zeal to the command of God, after long tradition of Idolatry in the Church, took courage and broke all superstitious Images to peeces. But the People, exorbitant and
    excessive in all thir motions, are prone ofttimes not to a religious onely, but to a civil kinde of Idolatry, in idolizing thir Kings; though never more mistak'n in the object of thir worship; heretofore being wont to repute for Saints, those faithful
    and courageous Barons, who lost thir lives in the Field, making glorious Warr against Tyrants for the common Liberty; as Simon de Momfort, Earl of Leicester, against Henry the third; Thomas Plantagenet Earl of Lancaster, against Edward the second. But
    now, with a besotted and degenerate baseness of spirit, except some few, who yet retain in them the old English fortitude and love of Freedom, and have testifi'd it by thir matchless deeds, the rest, imbastardiz'd from the ancient nobleness of thir
    Ancestors, are ready to fall flatt and give adoration to the Image and Memory of this Man, who hath offer'd at more cunning fetches to undermine our Liberties, and putt Tyranny into an Art, then any British King before him. Which low dejection and
    debasement of mind in the people, I must confess I cannot willingly ascribe to the natural disposition of an English-man, but rather to two other causes. First, to the Prelats and thir fellow-teachers, though of another Name and Sect, whose Pulpit-stuff,
    both first and last, hath bin the Doctrin and perpetual infusion of servility and wretchedness to all thir hearers; whose lives the type of worldliness and hypocrisie, without the least true pattern of vertue, righteousness, or self-denial in thir whole
    practice. I attribute it next to the factious inclination of most men divided from the public by several ends and humors of thir own. (...)

    **************************

    I sing the starry axis and the singing hosts in the sky, *and of the

    gods suddenly destroyed in their own SHRINES*. -- Milton, 1629



    **************************

    Shrine \Shrine\, v. t.

    To enshrine; to place reverently, as in a shrine. ``Shrined

    in his sanctuary.'' --Milton.



    Shrine \Shrine\ (shr[imac]n), n. [OE. schrin, AS. scr[=i]n, from

    L. scrinium a case, chest, box.]

    1. A case, box, or receptacle, especially one in which are

    deposited sacred relics, as the bones of a saint.



    2. Any sacred place, as an altar, tomb, or the like.



    Too weak the sacred shrine guard. --Byron.



    3. A place or object hallowed from its history or

    associations; as, a shrine of art.



    *****************************



    Milton

    On Shakespeare. 1630



    WHat needs my Shakespear for his HONOUR'D BONES,

    The labour of an age in piled Stones,

    Or that his HALLOW'D RELIQUES should be hid

    Under a Star-ypointing PYRAMID?

    Dear son of memory, great heir of Fame, [ 5 ]

    What need'st thou such weak witnes of thy name?

    Thou in our wonder and astonishment

    Hast built thy self a live-long Monument.

    For whilst to th' shame of slow-endeavouring art,

    Thy easie numbers flow, and that each heart [ 10 ]

    Hath from the leaves of thy unvalu'd Book,

    Those DELPHICK lines with deep impression took,

    Then thou our fancy of it self bereaving,

    Dost make us MARBLE with too much conceaving;

    And so Sepulcher'd in such POMP dost lie, [ 15 ]

    That Kings for such a Tomb would wish to die.



    *******************************



    APOLLO from his SHRINE/ Can no more divine,/

    With hollow shreik the steep of DELPHOS leaving. - Milton



    ********************************



    Performing early modern trauma from Shakespeare to Milton

    By Thomas Page Anderson



    In the "Preface" to Eikonoklastes, Milton establishes his strategy to

    disarm the book in a disingenuous offer of praise. He "commends" the

    King's "op'ness" in giving the title of The King's Image to the book.

    And he complements as well the appearance of the project: "by the

    SHRINE he dresses out for him, certainly would have the people come

    and worship him" (EK, p.68). Milton's reference to the shrine echoes

    Protestant writings that worked to debunk notions of the sacred altar

    central to the Catholic sacraments. By acknowledging the altar-like

    status of the text, Milton associates the book's appeal to its

    putative efficacy. However, he qualifies the king's SHRINE by

    suggesting that its altar-like status is the product of effective

    staging or "dress[ing] out."



    **************************

    John Milton's "On the Morning of Christ's Nativity" (1629)



    ...The Oracles are dumm,

    No voice or hideous humm

    Runs through the arched roof in words deceiving. [ 175 ]

    APOLLO from his shrine

    Can no more divine,

    With hollow shreik the steep of DELPHOS leaving.

    No nightly trance, or breathed spell,

    Inspire's the pale-ey'd Priest from the prophetic cell. [ 180 ]



    *******************************

    Milton, Paradise Regained



    451: The other service was thy chosen task,

    452: To be a liar in four hundred mouths;

    453: For lying is thy sustenance, thy food.

    454: Yet thou pretend'st to truth! all oracles

    455: By thee are given, and what confessed more true

    456: Among the nations? That hath been thy craft,

    457: By mixing somewhat true to vent more lies.

    458: But what have been thy answers? what but dark,

    459: Ambiguous, and with double sense deluding,

    460: Which they who asked have seldom understood,

    461: And, not well understood, as good not known?

    462: Who ever, by consulting at thy shrine,

    463: Returned the wiser, or the more instruct

    464: To fly or follow what concerned him most,

    465: And run not sooner to his fatal snare?

    466: For God hath justly given the nations up

    467: To thy delusions; justly, since they fell

    468: Idolatrous. But, when his purpose is

    469: Among them to declare his providence,

    470: To thee not known, whence hast thou then thy truth,

    471: But from him, or his Angels president

    472: In every province, who, themselves disdaining

    473: To approach thy temples, give thee in command

    474: What, to the smallest tittle, thou shalt say

    475: To thy adorers? Thou, with trembling fear,

    476: Or like a fawning parasite, obey'st;

    477: Then to thyself ascrib'st the truth foretold.

    478: But this thy glory shall be soon retrenched;

    479: No more shalt thou by oracling abuse

    481: And thou no more with POMP and sacrifice

    482: Shalt be enquired at DELPHOS or elsewhere--

    483: At least in vain, for they shall find thee mute.

    484: God hath now sent his living Oracle

    485: Into the world to teach his final will,

    486: And sends his Spirit of Truth henceforth to dwell

    487: In pious hearts, an inward oracle

    488: To all truth requisite for men to know."

    489:

    490: So spake our Saviour;



    ***************************

    Milton, On Shakespeare

    And so sepúlchred in such pomp dost lie,

    That kings for such a tomb would wish to die.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From marc hanson@21:1/5 to Dennis on Tue Feb 1 14:35:45 2022
    [continued from previous message]

    And if the late King had thought sufficient those Answers and Defences made for him in his life time, they who on the other side accus'd his evil Goverment, judging that on their behalf anough also hath been reply'd, the heat of this controversie was
    in all likelyhood drawing to an end; and the furder mention of his deeds, not so much unfortunat as faulty, had in tenderness to his late sufferings bin willingly forborn; and perhaps for the present age might have slept with him unrepeated; while his
    adversaries, calm'd and asswag'd with the success of thir cause, had bin the less unfavourable to his memory. But since he himself, making new appeale to Truth and the World, hath left behind him this Book as the best advocat and interpreter of his own
    actions, and that his Friends by publishing, dispersing, commending, and almost adoring it, seem to place therein the chiefe strength and nerves of thir cause, it would argue doubtless in the other party great deficience and distrust of themselves, not
    to meet the force of his reason in any field whatsoever, the force and equipage of whose Armes they have so oft'n met victoriously. And he who at the Barr stood excepting against the form and manner of his Judicature, and complain'd that he was not heard;
    neither he nor his Friends shall have that cause now to find fault; being mett and debated with in this op'n and monumental Court of his own erecting; and not onely heard uttering his whole mind at large, but answer'd. Which to doe effectually, if it be
    necessary that to his Book nothing the more respect be had for being his, they of his own Party can have no just reason to exclaime. For it were too unreasonable that he, because dead, should have the liberty in his Book to speak all evil of the
    Parlament; and they, because living, should be expected to have less freedom, or any for them, to speak home the plain truth of a full and pertinent reply. As he, to acquitt himself, hath not spar'd his Adversaries, to load them with all sorts of blame
    and accusation, so to him, as in his Book alive, there will be us'd no more Courtship then he uses; but what is properly his own guilt, not imputed any more to his evil Counsellors, (a Ceremony us'd longer by the Parlament then he himself desir'd) shall
    be laid heer without circumlocutions at his own dore. That they who from the first beginning, or but now of late, by what unhappines I know not, are so much affatuated, not with his person onely, but with his palpable faults, and dote upon his
    deformities, may have none to blame but thir own folly, if they live and dye in such a strook'n blindness, as next to that of Sodom hath not happ'nd to any sort of men more gross, or more misleading. Yet neither let his enemies expect to finde recorded
    heer all that hath been whisper'd in the Court, or alleg'd op'nly of the Kings bad actions; it being the proper scope of this work in hand, not to ripp up and relate the misdoings of his whole life, but to answer only and refute the missayings of his
    book.

    First then that som men (whether this were by him intended, or by his Friends) have by policy accomplish'd after death that revenge upon thir Enemies, which in life they were not able, hath been oft related. And among other examples we finde, that the
    last will of Cæsar being read to the people, and what bounteous Legacies he had bequeath'd them, wrought more in that Vulgar audience to the avenging of his death, then all the art he could ever use, to win thir favor in his life-time. And how much
    their intent, who publish'd these overlate Apologies and Meditations of the dead King, drives to the same end of stirring up the people to bring him that honour, that affection, and by consequence, that revenge to his dead Corps, which he himself living
    could never gain to his Person, it appears both by the conceited portraiture before his Book, drawn out to the full measure of a Masking Scene, and sett there to catch fools and silly gazers; and by those Latin words after the end, Vota dabunt quæ Bella
    negarunt; intimating, That what he could not compass by Warr, he should atchieve by his Meditations. For in words which admitt of various sense, the libertie is ours to choose that interpretation, which may best minde us of what our restless enemies
    endeavor, and what wee are timely to prevent. And heer may be well observ'd the loose and negligent curiosity of those who took upon them to adorn the setting out of this Book: for though the Picture sett in Front would Martyr him and Saint him to befool
    the people, yet the Latin Motto in the end, which they understand not, leaves him, as it were, a politic contriver to bring about that interest by faire and plausible words, which the force of Armes deny'd him. But quaint Emblems and devices, begg'd from
    the old Pageantry of some Twelf-nights entertainment at Whitehall, will doe but ill to make a Saint or Martyr: and if the People resolve to take him Sainted at the rate of such a Canonizing, I shall suspect thir Calendar more then the Gregorian. In one
    thing I must commend his op'nness who gave the title to this Book, Εικων Βασιλικη, that is to say, The Kings Image; and by the SHRINE he dresses out for him, certainly would have the people come and worship him. For which reason this answer
    also is intitl'd, Iconoclastes, the famous Surname of many Greek Emperors, who in thir zeal to the command of God, after long tradition of Idolatry in the Church, took courage and broke all superstitious Images to peeces. But the People, exorbitant and
    excessive in all thir motions, are prone ofttimes not to a religious onely, but to a civil kinde of Idolatry, in idolizing thir Kings; though never more mistak'n in the object of thir worship; heretofore being wont to repute for Saints, those faithful
    and courageous Barons, who lost thir lives in the Field, making glorious Warr against Tyrants for the common Liberty; as Simon de Momfort, Earl of Leicester, against Henry the third; Thomas Plantagenet Earl of Lancaster, against Edward the second. But
    now, with a besotted and degenerate baseness of spirit, except some few, who yet retain in them the old English fortitude and love of Freedom, and have testifi'd it by thir matchless deeds, the rest, imbastardiz'd from the ancient nobleness of thir
    Ancestors, are ready to fall flatt and give adoration to the Image and Memory of this Man, who hath offer'd at more cunning fetches to undermine our Liberties, and putt Tyranny into an Art, then any British King before him. Which low dejection and
    debasement of mind in the people, I must confess I cannot willingly ascribe to the natural disposition of an English-man, but rather to two other causes. First, to the Prelats and thir fellow-teachers, though of another Name and Sect, whose Pulpit-stuff,
    both first and last, hath bin the Doctrin and perpetual infusion of servility and wretchedness to all thir hearers; whose lives the type of worldliness and hypocrisie, without the least true pattern of vertue, righteousness, or self-denial in thir whole
    practice. I attribute it next to the factious inclination of most men divided from the public by several ends and humors of thir own. (...)

    **************************

    I sing the starry axis and the singing hosts in the sky, *and of the

    gods suddenly destroyed in their own SHRINES*. -- Milton, 1629



    **************************

    Shrine \Shrine\, v. t.

    To enshrine; to place reverently, as in a shrine. ``Shrined

    in his sanctuary.'' --Milton.



    Shrine \Shrine\ (shr[imac]n), n. [OE. schrin, AS. scr[=i]n, from

    L. scrinium a case, chest, box.]

    1. A case, box, or receptacle, especially one in which are

    deposited sacred relics, as the bones of a saint.



    2. Any sacred place, as an altar, tomb, or the like.



    Too weak the sacred shrine guard. --Byron.



    3. A place or object hallowed from its history or

    associations; as, a shrine of art.



    *****************************



    Milton

    On Shakespeare. 1630



    WHat needs my Shakespear for his HONOUR'D BONES,

    The labour of an age in piled Stones,

    Or that his HALLOW'D RELIQUES should be hid

    Under a Star-ypointing PYRAMID?

    Dear son of memory, great heir of Fame, [ 5 ]

    What need'st thou such weak witnes of thy name?

    Thou in our wonder and astonishment

    Hast built thy self a live-long Monument.

    For whilst to th' shame of slow-endeavouring art,

    Thy easie numbers flow, and that each heart [ 10 ]

    Hath from the leaves of thy unvalu'd Book,

    Those DELPHICK lines with deep impression took,

    Then thou our fancy of it self bereaving,

    Dost make us MARBLE with too much conceaving;

    And so Sepulcher'd in such POMP dost lie, [ 15 ]

    That Kings for such a Tomb would wish to die.



    *******************************



    APOLLO from his SHRINE/ Can no more divine,/

    With hollow shreik the steep of DELPHOS leaving. - Milton



    ********************************



    Performing early modern trauma from Shakespeare to Milton

    By Thomas Page Anderson



    In the "Preface" to Eikonoklastes, Milton establishes his strategy to

    disarm the book in a disingenuous offer of praise. He "commends" the

    King's "op'ness" in giving the title of The King's Image to the book.

    And he complements as well the appearance of the project: "by the

    SHRINE he dresses out for him, certainly would have the people come

    and worship him" (EK, p.68). Milton's reference to the shrine echoes

    Protestant writings that worked to debunk notions of the sacred altar

    central to the Catholic sacraments. By acknowledging the altar-like

    status of the text, Milton associates the book's appeal to its

    putative efficacy. However, he qualifies the king's SHRINE by

    suggesting that its altar-like status is the product of effective

    staging or "dress[ing] out."



    **************************

    John Milton's "On the Morning of Christ's Nativity" (1629)



    ...The Oracles are dumm,

    No voice or hideous humm

    Runs through the arched roof in words deceiving. [ 175 ]

    APOLLO from his shrine

    Can no more divine,

    With hollow shreik the steep of DELPHOS leaving.

    No nightly trance, or breathed spell,

    Inspire's the pale-ey'd Priest from the prophetic cell. [ 180 ]



    *******************************

    Milton, Paradise Regained



    451: The other service was thy chosen task,

    452: To be a liar in four hundred mouths;

    453: For lying is thy sustenance, thy food.

    454: Yet thou pretend'st to truth! all oracles

    455: By thee are given, and what confessed more true

    456: Among the nations? That hath been thy craft,

    457: By mixing somewhat true to vent more lies.

    458: But what have been thy answers? what but dark,

    459: Ambiguous, and with double sense deluding,

    460: Which they who asked have seldom understood,

    461: And, not well understood, as good not known?

    462: Who ever, by consulting at thy shrine,

    463: Returned the wiser, or the more instruct

    464: To fly or follow what concerned him most,

    465: And run not sooner to his fatal snare?

    466: For God hath justly given the nations up

    467: To thy delusions; justly, since they fell

    468: Idolatrous. But, when his purpose is

    469: Among them to declare his providence,

    470: To thee not known, whence hast thou then thy truth,

    471: But from him, or his Angels president

    472: In every province, who, themselves disdaining

    473: To approach thy temples, give thee in command

    474: What, to the smallest tittle, thou shalt say

    475: To thy adorers? Thou, with trembling fear,

    476: Or like a fawning parasite, obey'st;

    477: Then to thyself ascrib'st the truth foretold.

    478: But this thy glory shall be soon retrenched;

    479: No more shalt thou by oracling abuse

    481: And thou no more with POMP and sacrifice

    482: Shalt be enquired at DELPHOS or elsewhere--

    483: At least in vain, for they shall find thee mute.

    484: God hath now sent his living Oracle

    485: Into the world to teach his final will,

    486: And sends his Spirit of Truth henceforth to dwell

    487: In pious hearts, an inward oracle

    488: To all truth requisite for men to know."

    489:

    490: So spake our Saviour;



    ***************************

    Milton, On Shakespeare

    And so sepúlchred in such pomp dost lie,

    That kings for such a tomb would wish to die..

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)