• A bottomless pit of plagiarism

    From Don@21:1/5 to All on Thu Jun 12 15:49:55 2025
    XPost: rec.arts.sf.movies

    "Disney and Universal sue AI firm Midjourney over images"

    <https://www.google.com/search?q=midjourney+"a+bottomless+pit+of+plagiarism">

    PKB??

    Danke,

    --
    Don.......My cat's )\._.,--....,'``. https://crcomp.net/reviews.php telltale tall tail /, _.. \ _\ (`._ ,. veritas liberabit vos
    tells tall tales.. `._.-(,_..'--(,_..'`-.;.' Make 1984 fiction again.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Don@21:1/5 to All on Thu Jun 12 15:52:52 2025
    XPost: rec.arts.sf.movies

    Perhaps this embedded search link works better.

    "Disney and Universal sue AI firm Midjourney over images"

    <https://www.google.com/search?q=midjourney+%22a+bottomless+pit+of+plagiarism%22>

    PKB??

    Danke,

    --
    Don.......My cat's )\._.,--....,'``. https://crcomp.net/reviews.php telltale tall tail /, _.. \ _\ (`._ ,. veritas liberabit vos
    tells tall tales.. `._.-(,_..'--(,_..'`-.;.' Make 1984 fiction again.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Paul S Person@21:1/5 to Don on Fri Jun 13 08:24:41 2025
    XPost: rec.arts.sf.movies

    On Thu, 12 Jun 2025 15:49:55 -0000 (UTC), Don <g@crcomp.net> wrote:

    "Disney and Universal sue AI firm Midjourney over images"

    <https://www.google.com/search?q=midjourney+"a+bottomless+pit+of+plagiarism">

    PKB??

    The link is to a Google search result. "PKB" does not occur on it, at
    least not here.

    Perhaps it would help if you specified the actual article (there are
    at least four, possibly more) in which "PKB" occurs.

    Most of what I am finding for "PKB" is from chemistry. I have doubts
    about that being relevant.
    --
    "Here lies the Tuscan poet Aretino,
    Who evil spoke of everyone but God,
    Giving as his excuse, 'I never knew him.'"

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Paul S Person@21:1/5 to petertrei@gmail.com on Sat Jun 14 08:28:35 2025
    XPost: rec.arts.sf.movies

    On Fri, 13 Jun 2025 17:00:53 -0400, Cryptoengineer
    <petertrei@gmail.com> wrote:

    On 6/13/2025 11:24 AM, Paul S Person wrote:
    On Thu, 12 Jun 2025 15:49:55 -0000 (UTC), Don <g@crcomp.net> wrote:

    "Disney and Universal sue AI firm Midjourney over images"

    <https://www.google.com/search?q=midjourney+"a+bottomless+pit+of+plagiarism">

    PKB??

    The link is to a Google search result. "PKB" does not occur on it, at
    least not here.

    Perhaps it would help if you specified the actual article (there are
    at least four, possibly more) in which "PKB" occurs.

    Most of what I am finding for "PKB" is from chemistry. I have doubts
    about that being relevant.

    PKB -> Pot. Kettle. Black.

    That at least makes sense. If Disney/Pixar is in the plagiarism
    business, that is.

    Not that I am expressing an opinion about whether or not Midjourney's
    AI is plagiaristic, BTW.
    --
    "Here lies the Tuscan poet Aretino,
    Who evil spoke of everyone but God,
    Giving as his excuse, 'I never knew him.'"

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Tim Merrigan@21:1/5 to Paul S Person on Sat Jun 14 12:05:53 2025
    XPost: rec.arts.sf.movies

    On 6/14/2025 8:28 AM, Paul S Person wrote:
    On Fri, 13 Jun 2025 17:00:53 -0400, Cryptoengineer
    <petertrei@gmail.com> wrote:

    On 6/13/2025 11:24 AM, Paul S Person wrote:
    On Thu, 12 Jun 2025 15:49:55 -0000 (UTC), Don <g@crcomp.net> wrote:

    "Disney and Universal sue AI firm Midjourney over images"

    <https://www.google.com/search?q=midjourney+"a+bottomless+pit+of+plagiarism">

    PKB??

    The link is to a Google search result. "PKB" does not occur on it, at
    least not here.

    Perhaps it would help if you specified the actual article (there are
    at least four, possibly more) in which "PKB" occurs.

    Most of what I am finding for "PKB" is from chemistry. I have doubts
    about that being relevant.

    PKB -> Pot. Kettle. Black.

    That at least makes sense. If Disney/Pixar is in the plagiarism
    business, that is.

    Not that I am expressing an opinion about whether or not Midjourney's
    AI is plagiaristic, BTW.

    Disney has long been in the business of taking old classics and
    copyrighting them as their own. Many of them not technically
    plagiarism, since the originals were never copyrighted. Snow White and Cinderella, to name two off the top of my head.

    Winny the Pooh, they bought the rights to, I don't know about Pinocchio
    or James and the Giant Peach, though since Dahl was still alive when
    they made JatGP, I assume there was some sort of negotiation.

    --

    Qualified immunity = virtual impunity.

    Tim Merrigan

    --
    This email has been checked for viruses by AVG antivirus software.
    www.avg.com

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Your Name@21:1/5 to Tim Merrigan on Sun Jun 15 11:49:50 2025
    XPost: rec.arts.sf.movies

    On 2025-06-14 19:05:53 +0000, Tim Merrigan said:

    On 6/14/2025 8:28 AM, Paul S Person wrote:
    On Fri, 13 Jun 2025 17:00:53 -0400, Cryptoengineer
    <petertrei@gmail.com> wrote:

    On 6/13/2025 11:24 AM, Paul S Person wrote:
    On Thu, 12 Jun 2025 15:49:55 -0000 (UTC), Don <g@crcomp.net> wrote:

    "Disney and Universal sue AI firm Midjourney over images"

    <https://www.google.com/search?q=midjourney+"a+bottomless+pit+of+plagiarism">

    PKB??

    The link is to a Google search result. "PKB" does not occur on it, at
    least not here.

    Perhaps it would help if you specified the actual article (there are
    at least four, possibly more) in which "PKB" occurs.

    Most of what I am finding for "PKB" is from chemistry. I have doubts
    about that being relevant.

    PKB -> Pot. Kettle. Black.

    That at least makes sense. If Disney/Pixar is in the plagiarism
    business, that is.

    Not that I am expressing an opinion about whether or not Midjourney's
    AI is plagiaristic, BTW.

    Disney has long been in the business of taking old classics and
    copyrighting them as their own. Many of them not technically
    plagiarism, since the originals were never copyrighted. Snow White and Cinderella, to name two off the top of my head.

    Winny the Pooh, they bought the rights to, I don't know about Pinocchio
    or James and the Giant Peach, though since Dahl was still alive when
    they made JatGP, I assume there was some sort of negotiation.

    Winnie the Pooh itself is no longer copyright (expired in 2022), so
    Disney doesn't own those now. Hence the idiotic "Blood and Honey"
    horror movie version made recently. Disney does still own the copyright
    to their version of Winnie the Pooh though.

    Similarly, Disney doesn't own the copyrights to the older stoires of
    Cinderlla, Snow White, Pinocchio, Bambi, etc. Disney only owns the
    cpyrights for their own versions of those.

    Roald Dahl refused to sell the movie rights for any of his works after
    the "saccharine, sappy, and sentimental" mistreatment of the Charlie
    and the Chocolate Factory movie with Gene Wilder. After he died, his
    widow sold the James and the Giant Peach movie rights to Disney (she
    offered them to other movie companies as well, but accepted Disney's
    agreement) - she said Roald would have liked the movie, which is
    doubtful. In 2021 the Dahl family sold the copyrights for all his works
    to Netflix in 2021 for around US$500million.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Dimensional Traveler@21:1/5 to Your Name on Sat Jun 14 17:06:06 2025
    XPost: rec.arts.sf.movies

    On 6/14/2025 4:49 PM, Your Name wrote:
    On 2025-06-14 19:05:53 +0000, Tim Merrigan said:

    On 6/14/2025 8:28 AM, Paul S Person wrote:
    On Fri, 13 Jun 2025 17:00:53 -0400, Cryptoengineer
    <petertrei@gmail.com> wrote:

    On 6/13/2025 11:24 AM, Paul S Person wrote:
    On Thu, 12 Jun 2025 15:49:55 -0000 (UTC), Don <g@crcomp.net> wrote:

    "Disney and Universal sue AI firm Midjourney over images"

    <https://www.google.com/search?
    q=midjourney+"a+bottomless+pit+of+plagiarism">

    PKB??

    The link is to a Google search result. "PKB" does not occur on it, at >>>>> least not here.

    Perhaps it would help if you specified the actual article (there are >>>>> at least four, possibly more) in which "PKB" occurs.

    Most of what I am finding for "PKB" is from chemistry. I have doubts >>>>> about that being relevant.

    PKB ->  Pot. Kettle. Black.

    That at least makes sense. If Disney/Pixar is in the plagiarism
    business, that is.

    Not that I am expressing an opinion about whether or not Midjourney's
    AI is plagiaristic, BTW.

    Disney has long been in the business of taking old classics and
    copyrighting them as their own.  Many of them not technically
    plagiarism, since the originals were never copyrighted.  Snow White
    and Cinderella, to name two off the top of my head.

    Winny the Pooh, they bought the rights to, I don't know about
    Pinocchio or James and the Giant Peach, though since Dahl was still
    alive when they made JatGP, I assume there was some sort of negotiation.

    Winnie the Pooh itself is no longer copyright (expired in 2022), so
    Disney doesn't own those now. Hence the idiotic "Blood and Honey" horror movie version made recently. Disney does still own the copyright to
    their version of Winnie the Pooh though.

    Similarly, Disney doesn't own the copyrights to the older stoires of Cinderlla, Snow White, Pinocchio, Bambi, etc. Disney only owns the
    cpyrights for their own versions of those.

    Roald Dahl refused to sell the movie rights for any of his works after
    the "saccharine, sappy, and sentimental" mistreatment of the Charlie and
    the Chocolate Factory movie with Gene Wilder. After he died, his widow
    sold the James and the Giant Peach movie rights to Disney (she offered
    them to other movie companies as well, but accepted Disney's agreement)
    - she said Roald would have liked the movie, which is doubtful. In 2021
    the Dahl family sold the copyrights for all his works to Netflix in 2021
    for around US$500million.


    Well, if you're going to sell out at least sell out BIG!

    --
    I've done good in this world. Now I'm tired and just want to be a cranky
    dirty old man.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Your Name@21:1/5 to Dimensional Traveler on Sun Jun 15 13:02:38 2025
    XPost: rec.arts.sf.movies

    On 2025-06-15 00:06:06 +0000, Dimensional Traveler said:
    On 6/14/2025 4:49 PM, Your Name wrote:
    On 2025-06-14 19:05:53 +0000, Tim Merrigan said:
    On 6/14/2025 8:28 AM, Paul S Person wrote:
    On Fri, 13 Jun 2025 17:00:53 -0400, Cryptoengineer
    <petertrei@gmail.com> wrote:
    On 6/13/2025 11:24 AM, Paul S Person wrote:
    On Thu, 12 Jun 2025 15:49:55 -0000 (UTC), Don <g@crcomp.net> wrote: >>>>>>
    "Disney and Universal sue AI firm Midjourney over images"

    <https://www.google.com/search? q=midjourney+"a+bottomless+pit+of+plagiarism">

    PKB??

    The link is to a Google search result. "PKB" does not occur on it, at >>>>>> least not here.

    Perhaps it would help if you specified the actual article (there are >>>>>> at least four, possibly more) in which "PKB" occurs.

    Most of what I am finding for "PKB" is from chemistry. I have doubts >>>>>> about that being relevant.

    PKB ->  Pot. Kettle. Black.

    That at least makes sense. If Disney/Pixar is in the plagiarism
    business, that is.

    Not that I am expressing an opinion about whether or not Midjourney's
    AI is plagiaristic, BTW.

    Disney has long been in the business of taking old classics and
    copyrighting them as their own.  Many of them not technically
    plagiarism, since the originals were never copyrighted.  Snow White and
    Cinderella, to name two off the top of my head.

    Winny the Pooh, they bought the rights to, I don't know about Pinocchio
    or James and the Giant Peach, though since Dahl was still alive when
    they made JatGP, I assume there was some sort of negotiation.

    Winnie the Pooh itself is no longer copyright (expired in 2022), so
    Disney doesn't own those now. Hence the idiotic "Blood and Honey"
    horror movie version made recently. Disney does still own the copyright
    to their version of Winnie the Pooh though.

    Similarly, Disney doesn't own the copyrights to the older stoires of
    Cinderlla, Snow White, Pinocchio, Bambi, etc. Disney only owns the
    cpyrights for their own versions of those.

    Roald Dahl refused to sell the movie rights for any of his works after
    the "saccharine, sappy, and sentimental" mistreatment of the Charlie
    and the Chocolate Factory movie with Gene Wilder. After he died, his
    widow sold the James and the Giant Peach movie rights to Disney (she
    offered them to other movie companies as well, but accepted Disney's
    agreement) - she said Roald would have liked the movie, which is
    doubtful. In 2021 the Dahl family sold the copyrights for all his works
    to Netflix in 2021 for around US$500million.

    Well, if you're going to sell out at least sell out BIG!

    US$500million is peanuts really (probably not even enough to make a
    movie of just one of Dahl's books). It cost Disney US$4.05billion to
    get their hands on the, admittedly far bigger, Star Wars franchise. :-)

    Roald Dalh's books are still huge popular and the rights could easily
    have been sold for a lot more.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Paul S Person@21:1/5 to All on Sun Jun 15 08:59:13 2025
    XPost: rec.arts.sf.movies

    On Sat, 14 Jun 2025 12:05:53 -0700, Tim Merrigan <tppm@rr.ca.com>
    wrote:

    On 6/14/2025 8:28 AM, Paul S Person wrote:
    On Fri, 13 Jun 2025 17:00:53 -0400, Cryptoengineer
    <petertrei@gmail.com> wrote:

    On 6/13/2025 11:24 AM, Paul S Person wrote:
    On Thu, 12 Jun 2025 15:49:55 -0000 (UTC), Don <g@crcomp.net> wrote:

    "Disney and Universal sue AI firm Midjourney over images"

    <https://www.google.com/search?q=midjourney+"a+bottomless+pit+of+plagiarism">

    PKB??

    The link is to a Google search result. "PKB" does not occur on it, at
    least not here.

    Perhaps it would help if you specified the actual article (there are
    at least four, possibly more) in which "PKB" occurs.

    Most of what I am finding for "PKB" is from chemistry. I have doubts
    about that being relevant.

    PKB -> Pot. Kettle. Black.

    That at least makes sense. If Disney/Pixar is in the plagiarism
    business, that is.

    Not that I am expressing an opinion about whether or not Midjourney's
    AI is plagiaristic, BTW.

    Disney has long been in the business of taking old classics and
    copyrighting them as their own. Many of them not technically
    plagiarism, since the originals were never copyrighted. Snow White and >Cinderella, to name two off the top of my head.

    IANAL, but my understanding of this would be:
    1. The stories as such are not copyrighted.
    2. A particular book containing the stories may be copyrighted as
    regards any essays, notes, illustrations, etc added to the book by its publisher.
    3. A movie based on a book is copyrightable as such, whether the book
    was copyrighted or not. Of course, if it was, the rights to make the
    movie would have to be acquired.

    Winny the Pooh, they bought the rights to, I don't know about Pinocchio
    or James and the Giant Peach, though since Dahl was still alive when
    they made JatGP, I assume there was some sort of negotiation.

    There was a film about /Mary Poppins/, which had a pretty grim and
    somewhat inexplicable backstory, but had the author at the premier
    enjoying the film.

    Enjoying it in an order never seen in an actual screening of the
    movie. I mean, /really/, the people making this film couldn't have
    watched the film whose making they were showing and put the segments
    they used in their proper order?
    --
    "Here lies the Tuscan poet Aretino,
    Who evil spoke of everyone but God,
    Giving as his excuse, 'I never knew him.'"

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Paul S Person@21:1/5 to All on Sun Jun 15 09:02:15 2025
    XPost: rec.arts.sf.movies

    On Sun, 15 Jun 2025 11:49:50 +1200, Your Name <YourName@YourISP.com>
    wrote:

    On 2025-06-14 19:05:53 +0000, Tim Merrigan said:

    On 6/14/2025 8:28 AM, Paul S Person wrote:
    On Fri, 13 Jun 2025 17:00:53 -0400, Cryptoengineer
    <petertrei@gmail.com> wrote:

    On 6/13/2025 11:24 AM, Paul S Person wrote:
    On Thu, 12 Jun 2025 15:49:55 -0000 (UTC), Don <g@crcomp.net> wrote:

    "Disney and Universal sue AI firm Midjourney over images"

    <https://www.google.com/search?q=midjourney+"a+bottomless+pit+of+plagiarism">

    PKB??

    The link is to a Google search result. "PKB" does not occur on it, at >>>>> least not here.

    Perhaps it would help if you specified the actual article (there are >>>>> at least four, possibly more) in which "PKB" occurs.

    Most of what I am finding for "PKB" is from chemistry. I have doubts >>>>> about that being relevant.

    PKB -> Pot. Kettle. Black.

    That at least makes sense. If Disney/Pixar is in the plagiarism
    business, that is.

    Not that I am expressing an opinion about whether or not Midjourney's
    AI is plagiaristic, BTW.

    Disney has long been in the business of taking old classics and
    copyrighting them as their own. Many of them not technically
    plagiarism, since the originals were never copyrighted. Snow White and
    Cinderella, to name two off the top of my head.

    Winny the Pooh, they bought the rights to, I don't know about Pinocchio
    or James and the Giant Peach, though since Dahl was still alive when
    they made JatGP, I assume there was some sort of negotiation.

    Winnie the Pooh itself is no longer copyright (expired in 2022), so
    Disney doesn't own those now. Hence the idiotic "Blood and Honey"
    horror movie version made recently. Disney does still own the copyright
    to their version of Winnie the Pooh though.

    Similarly, Disney doesn't own the copyrights to the older stoires of >Cinderlla, Snow White, Pinocchio, Bambi, etc. Disney only owns the
    cpyrights for their own versions of those.

    Roald Dahl refused to sell the movie rights for any of his works after
    the "saccharine, sappy, and sentimental" mistreatment of the Charlie
    and the Chocolate Factory movie with Gene Wilder.
    <original para split>

    And with good reason.

    <original para continues>
    After he died, his
    widow sold the James and the Giant Peach movie rights to Disney (she
    offered them to other movie companies as well, but accepted Disney's >agreement) - she said Roald would have liked the movie, which is
    doubtful. In 2021 the Dahl family sold the copyrights for all his works
    to Netflix in 2021 for around US$500million.

    Here's hoping Netflix does a good job with them.
    --
    "Here lies the Tuscan poet Aretino,
    Who evil spoke of everyone but God,
    Giving as his excuse, 'I never knew him.'"

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Dimensional Traveler@21:1/5 to Your Name on Sun Jun 15 09:43:46 2025
    XPost: rec.arts.sf.movies

    On 6/14/2025 6:02 PM, Your Name wrote:
    On 2025-06-15 00:06:06 +0000, Dimensional Traveler said:
    On 6/14/2025 4:49 PM, Your Name wrote:
    On 2025-06-14 19:05:53 +0000, Tim Merrigan said:
    On 6/14/2025 8:28 AM, Paul S Person wrote:
    On Fri, 13 Jun 2025 17:00:53 -0400, Cryptoengineer
    <petertrei@gmail.com> wrote:
    On 6/13/2025 11:24 AM, Paul S Person wrote:
    On Thu, 12 Jun 2025 15:49:55 -0000 (UTC), Don <g@crcomp.net> wrote: >>>>>>>
    "Disney and Universal sue AI firm Midjourney over images"

    <https://www.google.com/search?
    q=midjourney+"a+bottomless+pit+of+plagiarism">

    PKB??

    The link is to a Google search result. "PKB" does not occur on
    it, at
    least not here.

    Perhaps it would help if you specified the actual article (there are >>>>>>> at least four, possibly more) in which "PKB" occurs.

    Most of what I am finding for "PKB" is from chemistry. I have doubts >>>>>>> about that being relevant.

    PKB ->  Pot. Kettle. Black.

    That at least makes sense. If Disney/Pixar is in the plagiarism
    business, that is.

    Not that I am expressing an opinion about whether or not Midjourney's >>>>> AI is plagiaristic, BTW.

    Disney has long been in the business of taking old classics and
    copyrighting them as their own.  Many of them not technically
    plagiarism, since the originals were never copyrighted.  Snow White
    and Cinderella, to name two off the top of my head.

    Winny the Pooh, they bought the rights to, I don't know about
    Pinocchio or James and the Giant Peach, though since Dahl was still
    alive when they made JatGP, I assume there was some sort of
    negotiation.

    Winnie the Pooh itself is no longer copyright (expired in 2022), so
    Disney doesn't own those now. Hence the idiotic "Blood and Honey"
    horror movie version made recently. Disney does still own the
    copyright to their version of Winnie the Pooh though.

    Similarly, Disney doesn't own the copyrights to the older stoires of
    Cinderlla, Snow White, Pinocchio, Bambi, etc. Disney only owns the
    cpyrights for their own versions of those.

    Roald Dahl refused to sell the movie rights for any of his works
    after the "saccharine, sappy, and sentimental" mistreatment of the
    Charlie and the Chocolate Factory movie with Gene Wilder. After he
    died, his widow sold the James and the Giant Peach movie rights to
    Disney (she offered them to other movie companies as well, but
    accepted Disney's agreement) - she said Roald would have liked the
    movie, which is doubtful. In 2021 the Dahl family sold the copyrights
    for all his works to Netflix in 2021 for around US$500million.

    Well, if you're going to sell out at least sell out BIG!

    US$500million is peanuts really (probably not even enough to make a
    movie of just one of Dahl's books). It cost Disney US$4.05billion to get their hands on the, admittedly far bigger, Star Wars franchise.  :-)

    Roald Dalh's books are still huge popular and the rights could easily
    have been sold for a lot more.

    The cost of making even an event movie (like the Avenger movies) still
    hasn't reached half a billion. A good Dahl movie should only cost ~100 mil.

    --
    I've done good in this world. Now I'm tired and just want to be a cranky
    dirty old man.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Scott Dorsey@21:1/5 to All on Sun Jun 15 13:22:48 2025
    XPost: rec.arts.sf.movies

    Disney has long been in the business of taking old classics and=20 >>copyrighting them as their own. Many of them not technically=20 >>plagiarism, since the originals were never copyrighted. Snow White and=20 >>Cinderella, to name two off the top of my head.

    IANAL, but my understanding of this would be:
    1. The stories as such are not copyrighted.
    2. A particular book containing the stories may be copyrighted as
    regards any essays, notes, illustrations, etc added to the book by its >publisher.
    3. A movie based on a book is copyrightable as such, whether the book
    was copyrighted or not. Of course, if it was, the rights to make the
    movie would have to be acquired.

    My objection is not necessarily that they are using old stories from the
    public domain. Shakespeare did that.

    However, having read both Othello and the story _Un Capitano Moro_ that the plot was taken from, I think Othello is a far better work. Shakespeare took
    a good idea with a mediocre workup and turned it into something great.

    Disney, however, takes great works and ruins them. That's my objection. Whoever decided to tack a happy ending on to Hunchback of Notre Dame deserves to be thrown in the catacombs.

    And Disney does not really give credit to the sources... so many people today think Cinderella was originally a Disney story. That is another layer of shame.
    --scott

    --
    "C'est un Nagra. C'est suisse, et tres, tres precis."

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Gary McGath@21:1/5 to Tim Merrigan on Sun Jun 15 13:59:07 2025
    XPost: rec.arts.sf.movies

    On 6/14/25 3:05 PM, Tim Merrigan wrote:
    Winny the Pooh, they bought the rights to, I don't know about Pinocchio
    or James and the Giant Peach, though since Dahl was still alive when
    they made JatGP, I assume there was some sort of negotiation.

    Disney's Pinocchio came out more than half a century after Collodi's
    story. Copyrights didn't run as long in those days, and the copyright on
    the original story had probably expired.
    --
    Gary McGath http://www.mcgath.com

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Dorothy J Heydt@21:1/5 to garym@mcgath.com on Sun Jun 15 20:17:26 2025
    XPost: rec.arts.sf.movies

    In article <102n1lb$1226a$1@dont-email.me>,
    Gary McGath <garym@mcgath.com> wrote:
    On 6/14/25 3:05 PM, Tim Merrigan wrote:
    Winny the Pooh, they bought the rights to, I don't know about Pinocchio
    or James and the Giant Peach, though since Dahl was still alive when
    they made JatGP, I assume there was some sort of negotiation.

    Disney's Pinocchio came out more than half a century after Collodi's
    story. Copyrights didn't run as long in those days, and the copyright on
    the original story had probably expired.

    [Hal Heydt]
    Alternatively, if the story wasn't originally copyrighted in the
    US, the US may not have recognized the validity of the copyright.
    See, for instance, the reason for the premier of the G&S oparetta
    _The Pirates of Penzance_. Or the amount of 20th century
    literature pirated by the Soviet Union and its subject countries,
    right up until the USSR caught wise ti the idea that they could
    control the distribution of Russian works if they agreed to
    reciprocal recognition of copyright.

    This can lead to other comlications... Some of Poul Anderson's
    works were printed in Poland without permission, but active fen
    there managed to arranged that royalties were paid. Problem was
    that there was no way to get those funds out of the country.
    Then the IRS wanted Anderson to pay income taxes on that money.
    His ultimate solution was to take a working vacation (that is, go
    there, be a toursit, but also do research on a book--a legitimate
    expense) and spend *all* of the Polish royalties. The result of
    the trip was _The King of Ys_.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Jerry Brown@21:1/5 to Dorsey on Mon Jun 16 07:21:21 2025
    XPost: rec.arts.sf.movies

    On Sun, 15 Jun 2025 13:22:48 -0400 (EDT), kludge@panix.com (Scott
    Dorsey) wrote:

    <snip>

    Disney, however, takes great works and ruins them. That's my objection. >Whoever decided to tack a happy ending on to Hunchback of Notre Dame deserves >to be thrown in the catacombs.

    20,00 Leagues Under the Sea is a bit of an oddity in that Nemo is much
    nastier than in the book, and the ending was changed so that Nemo died
    despite surviving until "The Mysterious Island" book-wise. Imagine
    that nowadays, where the norm is to leave an opening for sequels.

    To counterbalance this, Disney did, of course, add some songs and
    slapstick humour via Douglas and Lorre's supporting characters.


    --
    Jerry Brown

    A cat may look at a king
    (but probably won't bother)

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Gary McGath@21:1/5 to Scott Dorsey on Mon Jun 16 05:43:42 2025
    XPost: rec.arts.sf.movies

    On 6/15/25 1:22 PM, Scott Dorsey wrote:

    Disney, however, takes great works and ruins them. That's my objection. Whoever decided to tack a happy ending on to Hunchback of Notre Dame deserves to be thrown in the catacombs.

    I fully agree. Disney also gave the impression it was a movie for kids.
    I remember a co-worker (a serious Christian, I'll grant) complaining
    about it.

    And Disney does not really give credit to the sources... so many people today think Cinderella was originally a Disney story. That is another layer of shame.

    I put more of the blame on commentators who have no sense of history. I
    didn't like what Disney did with the remake of Snow White, but I kept
    objecting to the claims that they had changed "the original," meaning
    the Disney animated version. My complaint about the movie is that they
    were pulling in two directions at once, as if they were simultaneously
    trying to do a remake and put a new take on the story.

    --
    Gary McGath http://www.mcgath.com

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Gary McGath@21:1/5 to Dorothy J Heydt on Mon Jun 16 05:58:44 2025
    On 6/15/25 4:17 PM, Dorothy J Heydt wrote:


    [Hal Heydt]
    Alternatively, if the story wasn't originally copyrighted in the
    US, the US may not have recognized the validity of the copyright.
    See, for instance, the reason for the premier of the G&S oparetta
    _The Pirates of Penzance_.

    Gilbert and Sullivan solved that problem, after losing a lot of
    potential royalties, by filing for copyright in the US. To do this, they
    had to put on a US production of the operas they wanted to protect.

    Tangentially related, but I just happen to have posted a blog article on
    it this morning, which I wrote a few days ago: For most of the 18th
    century, printed music was considered uncopyrightable in Great Britain.
    Johann Christian Bach, the son of Johann Sebastian Bach who had moved to London, filed a lawsuit against a publisher that established in 1777
    that it was copyrightable.

    https://garymcgath.com/wp/when-music-became-copyrightable/


    --
    Gary McGath http://www.mcgath.com

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Scott Dorsey@21:1/5 to jerry@jwbrown.co.uk.invalid on Mon Jun 16 09:32:19 2025
    XPost: rec.arts.sf.movies

    Jerry Brown <jerry@jwbrown.co.uk.invalid> wrote:

    20,00 Leagues Under the Sea is a bit of an oddity in that Nemo is much >nastier than in the book, and the ending was changed so that Nemo died >despite surviving until "The Mysterious Island" book-wise. Imagine
    that nowadays, where the norm is to leave an opening for sequels.

    That's a Hollywood code thing. Bad people have to come to a bad end at the
    end of the movie. You don't see so much of that today, except of course in Disney films.

    To counterbalance this, Disney did, of course, add some songs and
    slapstick humour via Douglas and Lorre's supporting characters.

    It was so sad to see Lorre in that film. The end of a great actor,
    reduced to playing this crap.
    --scott


    --
    "C'est un Nagra. C'est suisse, et tres, tres precis."

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Paul S Person@21:1/5 to Dorsey on Mon Jun 16 08:20:21 2025
    XPost: rec.arts.sf.movies

    On Mon, 16 Jun 2025 09:32:19 -0400 (EDT), kludge@panix.com (Scott
    Dorsey) wrote:

    Jerry Brown <jerry@jwbrown.co.uk.invalid> wrote:

    20,00 Leagues Under the Sea is a bit of an oddity in that Nemo is much >>nastier than in the book, and the ending was changed so that Nemo died >>despite surviving until "The Mysterious Island" book-wise. Imagine
    that nowadays, where the norm is to leave an opening for sequels.

    That's a Hollywood code thing. Bad people have to come to a bad end at the >end of the movie. You don't see so much of that today, except of course in >Disney films.

    To counterbalance this, Disney did, of course, add some songs and
    slapstick humour via Douglas and Lorre's supporting characters.

    It was so sad to see Lorre in that film. The end of a great actor,
    reduced to playing this crap.

    Serving as a moral compass to the easily-seduced scientist is crap?

    How did you like him in /The Comedy of Terrors/?

    His later film roles were quite different from his earlier roles. Some
    would call this "versitility", as opposed to being a "one-trick pony".
    --
    "Here lies the Tuscan poet Aretino,
    Who evil spoke of everyone but God,
    Giving as his excuse, 'I never knew him.'"

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Paul S Person@21:1/5 to Dorsey on Mon Jun 16 08:16:22 2025
    XPost: rec.arts.sf.movies

    On Sun, 15 Jun 2025 13:22:48 -0400 (EDT), kludge@panix.com (Scott
    Dorsey) wrote:

    Disney has long been in the business of taking old classics and=20 >>>copyrighting them as their own. Many of them not technically=20 >>>plagiarism, since the originals were never copyrighted. Snow White and=20 >>>Cinderella, to name two off the top of my head.

    IANAL, but my understanding of this would be:
    1. The stories as such are not copyrighted.
    2. A particular book containing the stories may be copyrighted as
    regards any essays, notes, illustrations, etc added to the book by its >>publisher.
    3. A movie based on a book is copyrightable as such, whether the book
    was copyrighted or not. Of course, if it was, the rights to make the
    movie would have to be acquired.

    My objection is not necessarily that they are using old stories from the >public domain. Shakespeare did that.

    However, having read both Othello and the story _Un Capitano Moro_ that the >plot was taken from, I think Othello is a far better work. Shakespeare took >a good idea with a mediocre workup and turned it into something great.

    Disney, however, takes great works and ruins them. That's my objection. >Whoever decided to tack a happy ending on to Hunchback of Notre Dame deserves >to be thrown in the catacombs.

    When the Disney film came out, on another newsgroup, this point was
    raised. One regular disappeared for a week, and reported he had
    watched every movie version of /Hunchback/ he could find. The results
    (as I recall them):

    1. The villain is sometimes split (as in the Disney film) and
    sometimes is not (as in the book).
    2. Phoebus sometimes dies half-way through (in which case he is
    replaced by another character -- no, not Quasimodo) or he makes it to
    the end (as in the Disney film).
    3. Esmeralda survives in all movie versions (but not in the book,
    where she is hanged).
    4. The book's ending has never been filmed. For the curious, this
    involves a coffin being opened and finding in the skeletons of a young
    woman and a horribly deformed man in an embrace.
    5. Quasimodo and Esmeralda never end up together; Esmeralda ends up
    with Phoebus (if he survived) or his replacement (if he didn't).

    The conclusion from this extensive research was:

    The only real difference between Disney's version and the other movie
    versions is -- the talking gargoyles.

    So you can complain about the ending if you wish, but your complaint
    applies to all the movie versions the person doing this could find and
    watch.

    IOW, there is an established tradition of how the book is filmed, and
    the Disney version stands well within that tradition.

    Note that most versions of Dracula end in England because they are
    based (directly or indirectly through an earlier movie's script) on a
    stage play, not the book. And I don't think these are isolated cases.

    This makes a certain amount of sense, as the playwright has already
    reduced the story to something that can be shown in a reasonable
    length of time.

    And Disney does not really give credit to the sources... so many people today >think Cinderella was originally a Disney story. That is another layer of >shame.

    IIRC, at least one attibutes the story to a French author in the
    titles.

    Disney does appear to prefer the French versions to the German
    versions. No evil stepsisters getting their eyes pecked out by birds
    in Disney!
    --
    "Here lies the Tuscan poet Aretino,
    Who evil spoke of everyone but God,
    Giving as his excuse, 'I never knew him.'"

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Paul S Person@21:1/5 to petertrei@gmail.com on Mon Jun 16 08:26:23 2025
    XPost: rec.arts.sf.movies

    On Sun, 15 Jun 2025 21:27:06 -0400, Cryptoengineer
    <petertrei@gmail.com> wrote:

    On 6/15/2025 11:59 AM, Paul S Person wrote:
    On Sat, 14 Jun 2025 12:05:53 -0700, Tim Merrigan <tppm@rr.ca.com>
    wrote:

    On 6/14/2025 8:28 AM, Paul S Person wrote:
    On Fri, 13 Jun 2025 17:00:53 -0400, Cryptoengineer
    <petertrei@gmail.com> wrote:

    On 6/13/2025 11:24 AM, Paul S Person wrote:
    On Thu, 12 Jun 2025 15:49:55 -0000 (UTC), Don <g@crcomp.net> wrote: >>>>>>
    "Disney and Universal sue AI firm Midjourney over images"

    <https://www.google.com/search?q=midjourney+"a+bottomless+pit+of+plagiarism">

    PKB??

    The link is to a Google search result. "PKB" does not occur on it, at >>>>>> least not here.

    Perhaps it would help if you specified the actual article (there are >>>>>> at least four, possibly more) in which "PKB" occurs.

    Most of what I am finding for "PKB" is from chemistry. I have doubts >>>>>> about that being relevant.

    PKB -> Pot. Kettle. Black.

    That at least makes sense. If Disney/Pixar is in the plagiarism
    business, that is.

    Not that I am expressing an opinion about whether or not Midjourney's
    AI is plagiaristic, BTW.

    Disney has long been in the business of taking old classics and
    copyrighting them as their own. Many of them not technically
    plagiarism, since the originals were never copyrighted. Snow White and
    Cinderella, to name two off the top of my head.

    IANAL, but my understanding of this would be:
    1. The stories as such are not copyrighted.
    2. A particular book containing the stories may be copyrighted as
    regards any essays, notes, illustrations, etc added to the book by its
    publisher.
    3. A movie based on a book is copyrightable as such, whether the book
    was copyrighted or not. Of course, if it was, the rights to make the
    movie would have to be acquired.

    Winny the Pooh, they bought the rights to, I don't know about Pinocchio
    or James and the Giant Peach, though since Dahl was still alive when
    they made JatGP, I assume there was some sort of negotiation.

    There was a film about /Mary Poppins/, which had a pretty grim and
    somewhat inexplicable backstory, but had the author at the premier
    enjoying the film.

    'Saving Mr Banks'. 2013. She did, however, hate the animated
    penguins.

    She pretty hated the entire concept until she saw the film, IIRC.

    JRRT had similar reservations about letting Disney film /his/ books.
    --
    "Here lies the Tuscan poet Aretino,
    Who evil spoke of everyone but God,
    Giving as his excuse, 'I never knew him.'"

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Scott Dorsey@21:1/5 to psperson@old.netcom.invalid on Mon Jun 16 12:07:10 2025
    XPost: rec.arts.sf.movies

    Paul S Person <psperson@old.netcom.invalid> wrote:

    So you can complain about the ending if you wish, but your complaint
    applies to all the movie versions the person doing this could find and >watch.=20

    The ending in the "regular" movie, the one with Lon Chaney, is
    pretty screwy too, having been very cleaned up, but at least it's not
    upbeat and happy.
    --scott


    --
    "C'est un Nagra. C'est suisse, et tres, tres precis."

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Dorothy J Heydt@21:1/5 to garym@mcgath.com on Mon Jun 16 19:23:53 2025
    In article <102opsk$1i55n$1@dont-email.me>,
    Gary McGath <garym@mcgath.com> wrote:
    On 6/15/25 4:17 PM, Dorothy J Heydt wrote:


    [Hal Heydt]
    Alternatively, if the story wasn't originally copyrighted in the
    US, the US may not have recognized the validity of the copyright.
    See, for instance, the reason for the premier of the G&S oparetta
    _The Pirates of Penzance_.

    Gilbert and Sullivan solved that problem, after losing a lot of
    potential royalties, by filing for copyright in the US. To do this, they
    had to put on a US production of the operas they wanted to protect.

    Tangentially related, but I just happen to have posted a blog article on
    it this morning, which I wrote a few days ago: For most of the 18th
    century, printed music was considered uncopyrightable in Great Britain. >Johann Christian Bach, the son of Johann Sebastian Bach who had moved to >London, filed a lawsuit against a publisher that established in 1777
    that it was copyrightable.

    [Hal Heydt]
    IIRC (it gets mentioned on KDFC fairly regularly), JC was the
    youngest surviving son of JS. He also gets referenced as "the
    London Bach" or "John Bach". There were a *lot* of musical
    Bachs...

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Dorothy J Heydt@21:1/5 to psperson@old.netcom.invalid on Mon Jun 16 19:20:26 2025
    XPost: rec.arts.sf.movies

    In article <mcc05k1sepgms17ii6s3sh6ou65ud5oe12@4ax.com>,
    Paul S Person <psperson@old.netcom.invalid> wrote:
    IIRC, at least one attibutes the story to a French author in the
    titles.

    Disney does appear to prefer the French versions to the German
    versions. No evil stepsisters getting their eyes pecked out by birds
    in Disney!

    [Hal Heydt]
    The key is in the "glass" slipper. In the original is was "vair"
    (fur, specifically squirrel) that got typo'd to "ver" (glass).
    (I'm more or less quoting Dorothy for that.)

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Tim Merrigan@21:1/5 to Paul S Person on Mon Jun 16 13:46:07 2025
    XPost: rec.arts.sf.movies

    On 6/16/2025 8:16 AM, Paul S Person wrote:
    Note that most versions of Dracula end in England because they are
    based (directly or indirectly through an earlier movie's script) on a
    stage play, not the book. And I don't think these are isolated cases.

    Also, the book is a collection of letters and diary entries, some
    "originally" in shorthand. It would be hard to maintain that in a
    visual format.

    --

    Qualified immunity = virtual impunity.

    Tim Merrigan

    --
    This email has been checked for viruses by AVG antivirus software.
    www.avg.com

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Paul S Person@21:1/5 to All on Tue Jun 17 08:09:13 2025
    XPost: rec.arts.sf.movies

    On Mon, 16 Jun 2025 13:46:07 -0700, Tim Merrigan <tppm@rr.ca.com>
    wrote:

    On 6/16/2025 8:16 AM, Paul S Person wrote:
    Note that most versions of Dracula end in England because they are
    based (directly or indirectly through an earlier movie's script) on a
    stage play, not the book. And I don't think these are isolated cases.

    Also, the book is a collection of letters and diary entries, some >"originally" in shorthand. It would be hard to maintain that in a
    visual format.

    Another novel done similarly is, IIRC, Wilkie Collins' /The Woman in
    White/. There were probably others: this is probably a recognized
    literary style.

    In the /Dracula/ I have seen, the closest to this is a scene where an
    orderly reads a newspaper report about small childern injured by a
    "bootiful lady". In the book, IIRC, you just get the newspaper story.

    You /could/ do a film of the book with characters reading the various
    letters, diaries, etc, but I agree that it would work very well. As
    you say, this literary style would be hard to maintain in a visual
    format.
    --
    "Here lies the Tuscan poet Aretino,
    Who evil spoke of everyone but God,
    Giving as his excuse, 'I never knew him.'"

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Tim Merrigan@21:1/5 to Paul S Person on Tue Jun 17 08:33:40 2025
    XPost: rec.arts.sf.movies

    On 6/17/2025 8:09 AM, Paul S Person wrote:
    Another novel done similarly is, IIRC, Wilkie Collins' /The Woman in
    White/. There were probably others: this is probably a recognized
    literary style.

    The style is called epistolary. Dracula is, at least, bound. Shortly
    after I read Dracula I read an epistolary murder mystery that was
    published as a box of loose documents.

    --

    Qualified immunity = virtual impunity.

    Tim Merrigan

    --
    This email has been checked for viruses by AVG antivirus software.
    www.avg.com

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Scott Dorsey@21:1/5 to psperson@old.netcom.invalid on Tue Jun 17 18:51:08 2025
    XPost: rec.arts.sf.movies

    Paul S Person <psperson@old.netcom.invalid> wrote:
    On Mon, 16 Jun 2025 13:46:07 -0700, Tim Merrigan <tppm@rr.ca.com>
    wrote:
    Also, the book is a collection of letters and diary entries, some=20 >>"originally" in shorthand. It would be hard to maintain that in a=20 >>visual format.

    Another novel done similarly is, IIRC, Wilkie Collins' /The Woman in
    White/. There were probably others: this is probably a recognized
    literary style.

    It is called an "Epistolary Novel."

    In the /Dracula/ I have seen, the closest to this is a scene where an
    orderly reads a newspaper report about small childern injured by a
    "bootiful lady". In the book, IIRC, you just get the newspaper story.

    You /could/ do a film of the book with characters reading the various >letters, diaries, etc, but I agree that it would work very well. As
    you say, this literary style would be hard to maintain in a visual
    format.

    Some attempt was made to do that with Citizen Kane in a very limited way.
    It worked well, but was only a part of the narrative.
    --scott
    --
    "C'est un Nagra. C'est suisse, et tres, tres precis."

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Gary McGath@21:1/5 to Dorothy J Heydt on Wed Jun 18 05:25:45 2025
    On 6/16/25 3:23 PM, Dorothy J Heydt wrote:

    Tangentially related, but I just happen to have posted a blog article on
    it this morning, which I wrote a few days ago: For most of the 18th
    century, printed music was considered uncopyrightable in Great Britain.
    Johann Christian Bach, the son of Johann Sebastian Bach who had moved to
    London, filed a lawsuit against a publisher that established in 1777
    that it was copyrightable.

    [Hal Heydt]
    IIRC (it gets mentioned on KDFC fairly regularly), JC was the
    youngest surviving son of JS. He also gets referenced as "the
    London Bach" or "John Bach". There were a *lot* of musical
    Bachs...

    The whole Bach family for generations was very musical. J. C. met the eight-year-old Mozart in London and influenced his musical development.
    The most noteworthy of Johann Sebastian's sons was Carl Philipp Emanuel.
    In the second half of the 18th century, when people talked about "Bach,"
    the default assumption was that they meant C. P. E.

    --
    Gary McGath http://www.mcgath.com

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Gary McGath@21:1/5 to Cryptoengineer on Wed Jun 18 05:34:09 2025
    On 6/17/25 2:19 PM, Cryptoengineer wrote:

    What other creative categories have no IP protection?

    IIRC, neither clothing styles nor culinary recipes have any
    protection. You can knock off the shape and material of a
    Louis Vuitton handbag, but you'll be in trouble if you include
    the 'LV' pattern, which is a trademark.

    In the US, copyright requires some kind of new creation. A phone book's
    list of addresses and numbers can't be copyrighted. I've argued that the restoration of a movie to its original state can't be copyrighted, but I
    don't think there's been a definitive court ruling. A colorized version
    can be copyrighted.

    --
    Gary McGath http://www.mcgath.com

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Kevrob@21:1/5 to Paul S Person on Sun Jul 20 08:01:36 2025
    XPost: rec.arts.sf.movies

    On 6/17/2025 11:09 AM, Paul S Person wrote:
    On Mon, 16 Jun 2025 13:46:07 -0700, Tim Merrigan <tppm@rr.ca.com>
    wrote:

    On 6/16/2025 8:16 AM, Paul S Person wrote:
    Note that most versions of Dracula end in England because they are
    based (directly or indirectly through an earlier movie's script) on a
    stage play, not the book. And I don't think these are isolated cases.

    Also, the book is a collection of letters and diary entries, some
    "originally" in shorthand. It would be hard to maintain that in a
    visual format.

    Another novel done similarly is, IIRC, Wilkie Collins' /The Woman in
    White/. There were probably others: this is probably a recognized
    literary style.

    In the /Dracula/ I have seen, the closest to this is a scene where an
    orderly reads a newspaper report about small childern injured by a
    "bootiful lady". In the book, IIRC, you just get the newspaper story.

    You /could/ do a film of the book with characters reading the various letters, diaries, etc, but I agree that it would work very well. As
    you say, this literary style would be hard to maintain in a visual
    format.

    https://en.wikipedia.org/wiki/Epistolary_novel

    Or, short story, as in Avram Davidson's _Selectra Six-ten_

    --
    Kevin R



    --
    This email has been checked for viruses by AVG antivirus software.
    www.avg.com

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Kevrob@21:1/5 to Paul S Person on Sun Jul 20 07:54:21 2025
    XPost: rec.arts.sf.movies

    On 6/16/2025 11:16 AM, Paul S Person wrote:
    On Sun, 15 Jun 2025 13:22:48 -0400 (EDT), kludge@panix.com (Scott
    Dorsey) wrote:

    Disney has long been in the business of taking old classics and=20
    copyrighting them as their own. Many of them not technically=20
    plagiarism, since the originals were never copyrighted. Snow White and=20 >>>> Cinderella, to name two off the top of my head.

    IANAL, but my understanding of this would be:
    1. The stories as such are not copyrighted.
    2. A particular book containing the stories may be copyrighted as
    regards any essays, notes, illustrations, etc added to the book by its
    publisher.
    3. A movie based on a book is copyrightable as such, whether the book
    was copyrighted or not. Of course, if it was, the rights to make the
    movie would have to be acquired.

    My objection is not necessarily that they are using old stories from the
    public domain. Shakespeare did that.

    However, having read both Othello and the story _Un Capitano Moro_ that the >> plot was taken from, I think Othello is a far better work. Shakespeare took >> a good idea with a mediocre workup and turned it into something great.

    Disney, however, takes great works and ruins them. That's my objection.
    Whoever decided to tack a happy ending on to Hunchback of Notre Dame deserves
    to be thrown in the catacombs.

    When the Disney film came out, on another newsgroup, this point was
    raised. One regular disappeared for a week, and reported he had
    watched every movie version of /Hunchback/ he could find. The results
    (as I recall them):

    1. The villain is sometimes split (as in the Disney film) and
    sometimes is not (as in the book).
    2. Phoebus sometimes dies half-way through (in which case he is
    replaced by another character -- no, not Quasimodo) or he makes it to
    the end (as in the Disney film).
    3. Esmeralda survives in all movie versions (but not in the book,
    where she is hanged).
    4. The book's ending has never been filmed. For the curious, this
    involves a coffin being opened and finding in the skeletons of a young
    woman and a horribly deformed man in an embrace.
    5. Quasimodo and Esmeralda never end up together; Esmeralda ends up
    with Phoebus (if he survived) or his replacement (if he didn't).

    The conclusion from this extensive research was:

    The only real difference between Disney's version and the other movie versions is -- the talking gargoyles.

    So you can complain about the ending if you wish, but your complaint
    applies to all the movie versions the person doing this could find and
    watch.

    IOW, there is an established tradition of how the book is filmed, and
    the Disney version stands well within that tradition.

    Note that most versions of Dracula end in England because they are
    based (directly or indirectly through an earlier movie's script) on a
    stage play, not the book. And I don't think these are isolated cases.

    This makes a certain amount of sense, as the playwright has already
    reduced the story to something that can be shown in a reasonable
    length of time.

    And Disney does not really give credit to the sources... so many people today
    think Cinderella was originally a Disney story. That is another layer of
    shame.

    IIRC, at least one attibutes the story to a French author in the
    titles.

    Disney does appear to prefer the French versions to the German
    versions. No evil stepsisters getting their eyes pecked out by birds
    in Disney!

    The Disney family traces its origins to Normandy. They made a point of
    that when they launched their European park.

    --

    Kevin R


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