It all started so well, relativity speaking, with the Rani abducting the
7th son of a 7th son of a 7th son from Bavaria in 1865. And then Gatwa
shows his ugly face and demonstrates that he is totally incapable of >displaying any kind of acting range whatsoever.
Once again RTD lectures the few remaining viewers using a virtually >non-existent story filled with flashy images and effects, and consisting
of no meaningful substance as a thin wrapper to hold anther disgusting
woke lecture to attack the audience with through his degenerate bigotry.
Gatwa wakes up in bed with Belinda on 23 May 2025 and fails to realise
that he's homosexual, so what is he doing in bed with a woman? He also
has a child with Belinda, the West Sub-Saharan African girl Belinda saw
two episodes ago in The Story and the Engine, the one with the ugly
vertical hair growing upward into the air called Poppy. Gatwa couldn't >possibly be her father, not because he's gay, but because he's from East >Sub-Saharan Africa and his wife is from India, and she looks nothing
like either of them. Maybe it was part of the plot that he fails to
recognise this.
Despite being set in 21st century London, England, Davies decides to
make it look like its 1950s America. This doesn't work for UK audiences
and it won't work for US audiences either. This American stereotype does
not apply to Britain in the 1950s which unlike America was in a state of >economic depression and unrest having to pay for the cost of WW2. There
were no pretty houses in sub-urban cul-de-sacs surrounded by white
picket fences with perfect pretty housewifes inside of them making
perfect dinners for their perfect husbands and perfect children,
especially in London which was rebuilding after the blitz. Davies
doesn't have a clue about life outside of his own degenerate, narrow
minded, self-centred, woke bubble, let alone British history.
Britain had to wait until the 1960s for its teenage revolution and the >culture was driven by feminism, so no perfect pretty housewifes, and the >hippy movement, the pill, and free sex, so no widespread homophobia
existed or has ever existed in this country since the 1960s.
But the pervert Russell T Davies wants to insert his disgusting woke
massages and lecture us on homophobia by creating yet another false
narrative and contrived situation because he is the real homophobe and
is suffering from a persecution complex. He portrays men as week and
socially inept and places women in positions of power over and above them.
In the kitchen of Gatwas home cups keep falling off the dinner table and >breaking and they blame it on the girl. Gatwa has a cupboard full of >replacement cups to put on their place.
Millie Gibson turns up at the door and asks Gatwa if he's called the
Doctor. He says no. Gibson leaves perplexed and meets Bonnie Langford in
the street. Gatwa has second thoughts thinking something is amiss then
puts on a bowler hat and sets off to work at UNIT, which is now an
insurance company with the same initials.
At the UNIT office, which again is made to look all 1950s despite being >located in a futuristic glass tower the gay eastern European homosexual
actor who fancies Kate Stewart is told by Gatwa that he's good looking
and should try chatting her up, to which he reacts by questioning
Gatwa's sexuality and insisting he's not gay.
In the streets Millie Gibson finds a bunch of disabled people who are
all homeless, so that RTD can subject everyone to yet another degenerate
woke lecture about disability, which he doesn't understand, in a totally >contrived and unnecessary part of the story.
Millie Gibson then remembers her mother and grandmother who are both black.
Why does the pervert Davies insist on portraying homophobia in the 1950s
and fail to portray racism from that period? Millie Gibson would not
have been allowed to have been adopted by a black women in this kind of >society. None of it makes any sense, not because Davies wants to make it
look that way, but because he wrote the script before anyone was cast in
any of the roles and his degenerate DEI hiring which paid no heed to the >character descriptions resulted in this unbelievability both in the
present and in the past. This is why DEI should have no place whatsoever
in the entertainment industry. It always results in biased and
unjustified descrimination making it impossible for the audience to
suspend their disbelief.
The Indian Rani and Anita Dobson are orchestrating all of this deception
with the baby the Indian Rani abducted from the 7th son of the 7th son
who was his 7th son being the source of it. Why not make it 7
generations of 7th sons? What is the significance or importance to this
magic of being the 7th son, but only 3 generations? Not explained
because Russell T Davies doesn't have a clue how to world build. All
he's interested in is in using very week stories as a wrapper for his >hypocritical degenerate woke messages which is all that matters to him.
So the baby has these unexplained superpowers of granting wishes that
allow it to create this Wish World after it is placed in the hands of
Conrad from Lucky Coin who Anita Dobson has freed for this purpose.
Conrad has created this world using the baby's wish granting powers and >appears on television every hour telling the story of Doctor Who.
The TV screens are all colour and the sets themselves are from over 50
years ago but we didn't have colour TV in Britain until 1967. Once again >RTD's contrivance of making it look like 1950s America falls apart.
The woke far left revolutionaries in wheelchairs who Millie Gibson has
met, which include someone who she recognises as UNITs disabled
scientific advisor but is not quite sure, decide to break into the UNIT >offices to figure out why midnight and the coming of the May 24th 2025
bank holiday is so important. Giant monsters made of bone are all
walking around London and treading over things but their footsteps melt
into nothing before they can do any damage.
Meanwhile Belinda after meeting her mother and gran and being asked why
she doesn't remember being pregnant with the ugly girl she thinks is her >daughter decides to shop in Ncuti Gatwa to the authorities. Gatwa is
arrested but so is Belinda shortly afterwards after being shopped in by
her own mother.
The over all message of the story is that you must believe everything
you have been told by the fascist woke mob who want to control the
state, and if you dare to question any of their degenerate and totally >nonsensical ideology then you will be cancelled, as are Gatwa and
Belinda after starting not to believe what they are seeing is real.
Before his arrest Gatwa sees a vision of Rogue on a television screen in
the middle of one of Conrad's broadcasts talking to him from Hell and
warning him that "tables don't do that". Gatwa realises it refers to all
of the cups falling through the tables everywhere we see, at UNIT HQ, at
the homeless disabled people's shelter that Millie Gibson intrudes into,
and in Gatwa's kitchen with Belinda, who together now become conscious
of what they are seeing as all the cups fall through the table in front
of their eyes. This represents the degenerate woke narrative that RTD
has created falling apart as soon as you start looking at it and asking >questions demanding explanations.
At UNIT HQ the brown haired disabled women in the wheelchair with Millie >Gibson recognises that the tablet computer she is holding is a piece of
UNIT equipment which has the magical power of telling you where signals
come from, and the signal of Conrad's broadcast is coming for a giant
bone spider above the HQ.
Inside the bone spider where Gatwa and Belinda have been taken to by the
woke thought police they are made to cross a protective threshold to
meet the Ranis.
Gatwa doesn't recognise either Rani at first but the Indian Rani tells
him that people on Gallifrey before it was destroyed thought they were
lovers when they danced together. There can be on suspension of
disbelief hearing this because Gatwa is gay. Eventually Gatwa remembers
the Rani, to the sight flashing images of Kate O'Mara and his previous >incarnations.
The two Ranis then tell Gatwa that when the clock strikes midnight they
are going to unleash the most powerful force that ever existed and the
baby and shit is some sort of power-source and amplifier.
As the midnight hour approaches all of London outside of the protective >threshold starts to disintegrate and Belinda is kicked outside of it by
the Ranis's storm troopers.
Gatwa asks the Indian Rani what this powerful force is and she tells him
it is none other than the First Ever Time Lord, Omega!
I thought the Timeless Child monster was the first ever Time Lord, or
was it Tekteun who we were shown founding the Time Lords? Huh...?
If Gatwa is supposed to be the Timeless Child monster then that would
mean that Gatwa is Omega. That would make sense since Peter Davision's
DNA was an exact match to that of Omega in Arc of Infinity.
Everything has now almost completely disintegrated because none of it
was real since it was created by Conrad but Gatwa remarks that he knows
his daughter with Belinda, Poppy, is real.
Does that mean that the girl with the ugly vertical hair who looks like
the Timeless Child monster is Omega? And maybe Omega is Gatwa too? Or is >Omega someone else? Is the Rani the Timeless Child monster?
And that's where it ends...
Is RTD about to retcon the Timeless Child monster?
0/10 if he doesn't, 1/10 if he does and it's Omega, 2/10 if he does and
it's not the Doctor, 10/10 if the entire universe Gatwa is in including
Gatwa himself along Jodie Whittaker and the Timeless Child monster are
all retconned out of existence and everything is reset to 2017 where
Peter Capaldi has begun to regenerate inside of a space rocket on the
event horizon of a black hole after being shot by the Cybermen.
Apparently Gatwa has already filmed his regeneration scene. Could it now
be that what has actually been filmed is Peter Capaldi regenerating
directly into Ncuti Gatwa and all the bi-generation and Timeless Child
crap has all been done with?
--
The True Doctor https://www.youtube.com/channel/UCngrZwoS0n21IRcXpKO79Lw
"To be woke is to be uninformed which is exactly the opposite of what it >stands for." -William Shatner
On 24/05/2025 19:55, The Doctor wrote:
In article <100t2at$rmcq$2@dont-email.me>,
The True Doctor <agamemnon@hello.to.NO_SPAM> wrote:
It all started so well, relativity speaking, with the Rani abducting the >>> 7th son of a 7th son of a 7th son from Bavaria in 1865. And then Gatwa
shows his ugly face and demonstrates that he is totally incapable of
displaying any kind of acting range whatsoever.
Once again RTD lectures the few remaining viewers using a virtually
non-existent story filled with flashy images and effects, and consisting >>> of no meaningful substance as a thin wrapper to hold anther disgusting
woke lecture to attack the audience with through his degenerate bigotry. >>>
Gatwa wakes up in bed with Belinda on 23 May 2025 and fails to realise
that he's homosexual, so what is he doing in bed with a woman? He also
has a child with Belinda, the West Sub-Saharan African girl Belinda saw
two episodes ago in The Story and the Engine, the one with the ugly
vertical hair growing upward into the air called Poppy. Gatwa couldn't
possibly be her father, not because he's gay, but because he's from East >>> Sub-Saharan Africa and his wife is from India, and she looks nothing
like either of them. Maybe it was part of the plot that he fails to
recognise this.
Despite being set in 21st century London, England, Davies decides to
make it look like its 1950s America. This doesn't work for UK audiences
and it won't work for US audiences either. This American stereotype does >>> not apply to Britain in the 1950s which unlike America was in a state of >>> economic depression and unrest having to pay for the cost of WW2. There
were no pretty houses in sub-urban cul-de-sacs surrounded by white
picket fences with perfect pretty housewifes inside of them making
perfect dinners for their perfect husbands and perfect children,
especially in London which was rebuilding after the blitz. Davies
doesn't have a clue about life outside of his own degenerate, narrow
minded, self-centred, woke bubble, let alone British history.
Britain had to wait until the 1960s for its teenage revolution and the
culture was driven by feminism, so no perfect pretty housewifes, and the >>> hippy movement, the pill, and free sex, so no widespread homophobia
existed or has ever existed in this country since the 1960s.
But the pervert Russell T Davies wants to insert his disgusting woke
massages and lecture us on homophobia by creating yet another false
narrative and contrived situation because he is the real homophobe and
is suffering from a persecution complex. He portrays men as week and
socially inept and places women in positions of power over and above them. >>>
In the kitchen of Gatwas home cups keep falling off the dinner table and >>> breaking and they blame it on the girl. Gatwa has a cupboard full of
replacement cups to put on their place.
Millie Gibson turns up at the door and asks Gatwa if he's called the
Doctor. He says no. Gibson leaves perplexed and meets Bonnie Langford in >>> the street. Gatwa has second thoughts thinking something is amiss then
puts on a bowler hat and sets off to work at UNIT, which is now an
insurance company with the same initials.
At the UNIT office, which again is made to look all 1950s despite being
located in a futuristic glass tower the gay eastern European homosexual
actor who fancies Kate Stewart is told by Gatwa that he's good looking
and should try chatting her up, to which he reacts by questioning
Gatwa's sexuality and insisting he's not gay.
In the streets Millie Gibson finds a bunch of disabled people who are
all homeless, so that RTD can subject everyone to yet another degenerate >>> woke lecture about disability, which he doesn't understand, in a totally >>> contrived and unnecessary part of the story.
Millie Gibson then remembers her mother and grandmother who are both black. >>>
Why does the pervert Davies insist on portraying homophobia in the 1950s >>> and fail to portray racism from that period? Millie Gibson would not
have been allowed to have been adopted by a black women in this kind of
society. None of it makes any sense, not because Davies wants to make it >>> look that way, but because he wrote the script before anyone was cast in >>> any of the roles and his degenerate DEI hiring which paid no heed to the >>> character descriptions resulted in this unbelievability both in the
present and in the past. This is why DEI should have no place whatsoever >>> in the entertainment industry. It always results in biased and
unjustified descrimination making it impossible for the audience to
suspend their disbelief.
The Indian Rani and Anita Dobson are orchestrating all of this deception >>> with the baby the Indian Rani abducted from the 7th son of the 7th son
who was his 7th son being the source of it. Why not make it 7
generations of 7th sons? What is the significance or importance to this
magic of being the 7th son, but only 3 generations? Not explained
because Russell T Davies doesn't have a clue how to world build. All
he's interested in is in using very week stories as a wrapper for his
hypocritical degenerate woke messages which is all that matters to him.
So the baby has these unexplained superpowers of granting wishes that
allow it to create this Wish World after it is placed in the hands of
Conrad from Lucky Coin who Anita Dobson has freed for this purpose.
Conrad has created this world using the baby's wish granting powers and
appears on television every hour telling the story of Doctor Who.
The TV screens are all colour and the sets themselves are from over 50
years ago but we didn't have colour TV in Britain until 1967. Once again >>> RTD's contrivance of making it look like 1950s America falls apart.
The woke far left revolutionaries in wheelchairs who Millie Gibson has
met, which include someone who she recognises as UNITs disabled
scientific advisor but is not quite sure, decide to break into the UNIT
offices to figure out why midnight and the coming of the May 24th 2025
bank holiday is so important. Giant monsters made of bone are all
walking around London and treading over things but their footsteps melt
into nothing before they can do any damage.
Meanwhile Belinda after meeting her mother and gran and being asked why
she doesn't remember being pregnant with the ugly girl she thinks is her >>> daughter decides to shop in Ncuti Gatwa to the authorities. Gatwa is
arrested but so is Belinda shortly afterwards after being shopped in by
her own mother.
The over all message of the story is that you must believe everything
you have been told by the fascist woke mob who want to control the
state, and if you dare to question any of their degenerate and totally
nonsensical ideology then you will be cancelled, as are Gatwa and
Belinda after starting not to believe what they are seeing is real.
Before his arrest Gatwa sees a vision of Rogue on a television screen in >>> the middle of one of Conrad's broadcasts talking to him from Hell and
warning him that "tables don't do that". Gatwa realises it refers to all >>> of the cups falling through the tables everywhere we see, at UNIT HQ, at >>> the homeless disabled people's shelter that Millie Gibson intrudes into, >>> and in Gatwa's kitchen with Belinda, who together now become conscious
of what they are seeing as all the cups fall through the table in front
of their eyes. This represents the degenerate woke narrative that RTD
has created falling apart as soon as you start looking at it and asking
questions demanding explanations.
At UNIT HQ the brown haired disabled women in the wheelchair with Millie >>> Gibson recognises that the tablet computer she is holding is a piece of
UNIT equipment which has the magical power of telling you where signals
come from, and the signal of Conrad's broadcast is coming for a giant
bone spider above the HQ.
Inside the bone spider where Gatwa and Belinda have been taken to by the >>> woke thought police they are made to cross a protective threshold to
meet the Ranis.
Gatwa doesn't recognise either Rani at first but the Indian Rani tells
him that people on Gallifrey before it was destroyed thought they were
lovers when they danced together. There can be on suspension of
disbelief hearing this because Gatwa is gay. Eventually Gatwa remembers
the Rani, to the sight flashing images of Kate O'Mara and his previous
incarnations.
The two Ranis then tell Gatwa that when the clock strikes midnight they
are going to unleash the most powerful force that ever existed and the
baby and shit is some sort of power-source and amplifier.
As the midnight hour approaches all of London outside of the protective
threshold starts to disintegrate and Belinda is kicked outside of it by
the Ranis's storm troopers.
Gatwa asks the Indian Rani what this powerful force is and she tells him >>> it is none other than the First Ever Time Lord, Omega!
I thought the Timeless Child monster was the first ever Time Lord, or
was it Tekteun who we were shown founding the Time Lords? Huh...?
If Gatwa is supposed to be the Timeless Child monster then that would
mean that Gatwa is Omega. That would make sense since Peter Davision's
DNA was an exact match to that of Omega in Arc of Infinity.
Everything has now almost completely disintegrated because none of it
was real since it was created by Conrad but Gatwa remarks that he knows
his daughter with Belinda, Poppy, is real.
Does that mean that the girl with the ugly vertical hair who looks like
the Timeless Child monster is Omega? And maybe Omega is Gatwa too? Or is >>> Omega someone else? Is the Rani the Timeless Child monster?
And that's where it ends...
Is RTD about to retcon the Timeless Child monster?
0/10 if he doesn't, 1/10 if he does and it's Omega, 2/10 if he does and
it's not the Doctor, 10/10 if the entire universe Gatwa is in including
Gatwa himself along Jodie Whittaker and the Timeless Child monster are
all retconned out of existence and everything is reset to 2017 where
Peter Capaldi has begun to regenerate inside of a space rocket on the
event horizon of a black hole after being shot by the Cybermen.
Apparently Gatwa has already filmed his regeneration scene. Could it now >>> be that what has actually been filmed is Peter Capaldi regenerating
directly into Ncuti Gatwa and all the bi-generation and Timeless Child
crap has all been done with?
--
The True Doctor https://www.youtube.com/channel/UCngrZwoS0n21IRcXpKO79Lw >>>
"To be woke is to be uninformed which is exactly the opposite of what it >>> stands for." -William Shatner
Let us go with 0/10
All of the scores I have given are in a state of quantum superposition
until an observation is made of the final episode. You'll have to do
your averages until after that episode has aired or else work out the >probabilities for every eigenstate.
--
The True Doctor https://www.youtube.com/channel/UCngrZwoS0n21IRcXpKO79Lw
"To be woke is to be uninformed which is exactly the opposite of what it >stands for." -William Shatner
In article <100t2at$rmcq$2@dont-email.me>,
The True Doctor <agamemnon@hello.to.NO_SPAM> wrote:
It all started so well, relativity speaking, with the Rani abducting the
7th son of a 7th son of a 7th son from Bavaria in 1865. And then Gatwa
shows his ugly face and demonstrates that he is totally incapable of
displaying any kind of acting range whatsoever.
Once again RTD lectures the few remaining viewers using a virtually
non-existent story filled with flashy images and effects, and consisting
of no meaningful substance as a thin wrapper to hold anther disgusting
woke lecture to attack the audience with through his degenerate bigotry.
Gatwa wakes up in bed with Belinda on 23 May 2025 and fails to realise
that he's homosexual, so what is he doing in bed with a woman? He also
has a child with Belinda, the West Sub-Saharan African girl Belinda saw
two episodes ago in The Story and the Engine, the one with the ugly
vertical hair growing upward into the air called Poppy. Gatwa couldn't
possibly be her father, not because he's gay, but because he's from East
Sub-Saharan Africa and his wife is from India, and she looks nothing
like either of them. Maybe it was part of the plot that he fails to
recognise this.
Despite being set in 21st century London, England, Davies decides to
make it look like its 1950s America. This doesn't work for UK audiences
and it won't work for US audiences either. This American stereotype does
not apply to Britain in the 1950s which unlike America was in a state of
economic depression and unrest having to pay for the cost of WW2. There
were no pretty houses in sub-urban cul-de-sacs surrounded by white
picket fences with perfect pretty housewifes inside of them making
perfect dinners for their perfect husbands and perfect children,
especially in London which was rebuilding after the blitz. Davies
doesn't have a clue about life outside of his own degenerate, narrow
minded, self-centred, woke bubble, let alone British history.
Britain had to wait until the 1960s for its teenage revolution and the
culture was driven by feminism, so no perfect pretty housewifes, and the
hippy movement, the pill, and free sex, so no widespread homophobia
existed or has ever existed in this country since the 1960s.
But the pervert Russell T Davies wants to insert his disgusting woke
massages and lecture us on homophobia by creating yet another false
narrative and contrived situation because he is the real homophobe and
is suffering from a persecution complex. He portrays men as week and
socially inept and places women in positions of power over and above them. >>
In the kitchen of Gatwas home cups keep falling off the dinner table and
breaking and they blame it on the girl. Gatwa has a cupboard full of
replacement cups to put on their place.
Millie Gibson turns up at the door and asks Gatwa if he's called the
Doctor. He says no. Gibson leaves perplexed and meets Bonnie Langford in
the street. Gatwa has second thoughts thinking something is amiss then
puts on a bowler hat and sets off to work at UNIT, which is now an
insurance company with the same initials.
At the UNIT office, which again is made to look all 1950s despite being
located in a futuristic glass tower the gay eastern European homosexual
actor who fancies Kate Stewart is told by Gatwa that he's good looking
and should try chatting her up, to which he reacts by questioning
Gatwa's sexuality and insisting he's not gay.
In the streets Millie Gibson finds a bunch of disabled people who are
all homeless, so that RTD can subject everyone to yet another degenerate
woke lecture about disability, which he doesn't understand, in a totally
contrived and unnecessary part of the story.
Millie Gibson then remembers her mother and grandmother who are both black. >>
Why does the pervert Davies insist on portraying homophobia in the 1950s
and fail to portray racism from that period? Millie Gibson would not
have been allowed to have been adopted by a black women in this kind of
society. None of it makes any sense, not because Davies wants to make it
look that way, but because he wrote the script before anyone was cast in
any of the roles and his degenerate DEI hiring which paid no heed to the
character descriptions resulted in this unbelievability both in the
present and in the past. This is why DEI should have no place whatsoever
in the entertainment industry. It always results in biased and
unjustified descrimination making it impossible for the audience to
suspend their disbelief.
The Indian Rani and Anita Dobson are orchestrating all of this deception
with the baby the Indian Rani abducted from the 7th son of the 7th son
who was his 7th son being the source of it. Why not make it 7
generations of 7th sons? What is the significance or importance to this
magic of being the 7th son, but only 3 generations? Not explained
because Russell T Davies doesn't have a clue how to world build. All
he's interested in is in using very week stories as a wrapper for his
hypocritical degenerate woke messages which is all that matters to him.
So the baby has these unexplained superpowers of granting wishes that
allow it to create this Wish World after it is placed in the hands of
Conrad from Lucky Coin who Anita Dobson has freed for this purpose.
Conrad has created this world using the baby's wish granting powers and
appears on television every hour telling the story of Doctor Who.
The TV screens are all colour and the sets themselves are from over 50
years ago but we didn't have colour TV in Britain until 1967. Once again
RTD's contrivance of making it look like 1950s America falls apart.
The woke far left revolutionaries in wheelchairs who Millie Gibson has
met, which include someone who she recognises as UNITs disabled
scientific advisor but is not quite sure, decide to break into the UNIT
offices to figure out why midnight and the coming of the May 24th 2025
bank holiday is so important. Giant monsters made of bone are all
walking around London and treading over things but their footsteps melt
into nothing before they can do any damage.
Meanwhile Belinda after meeting her mother and gran and being asked why
she doesn't remember being pregnant with the ugly girl she thinks is her
daughter decides to shop in Ncuti Gatwa to the authorities. Gatwa is
arrested but so is Belinda shortly afterwards after being shopped in by
her own mother.
The over all message of the story is that you must believe everything
you have been told by the fascist woke mob who want to control the
state, and if you dare to question any of their degenerate and totally
nonsensical ideology then you will be cancelled, as are Gatwa and
Belinda after starting not to believe what they are seeing is real.
Before his arrest Gatwa sees a vision of Rogue on a television screen in
the middle of one of Conrad's broadcasts talking to him from Hell and
warning him that "tables don't do that". Gatwa realises it refers to all
of the cups falling through the tables everywhere we see, at UNIT HQ, at
the homeless disabled people's shelter that Millie Gibson intrudes into,
and in Gatwa's kitchen with Belinda, who together now become conscious
of what they are seeing as all the cups fall through the table in front
of their eyes. This represents the degenerate woke narrative that RTD
has created falling apart as soon as you start looking at it and asking
questions demanding explanations.
At UNIT HQ the brown haired disabled women in the wheelchair with Millie
Gibson recognises that the tablet computer she is holding is a piece of
UNIT equipment which has the magical power of telling you where signals
come from, and the signal of Conrad's broadcast is coming for a giant
bone spider above the HQ.
Inside the bone spider where Gatwa and Belinda have been taken to by the
woke thought police they are made to cross a protective threshold to
meet the Ranis.
Gatwa doesn't recognise either Rani at first but the Indian Rani tells
him that people on Gallifrey before it was destroyed thought they were
lovers when they danced together. There can be on suspension of
disbelief hearing this because Gatwa is gay. Eventually Gatwa remembers
the Rani, to the sight flashing images of Kate O'Mara and his previous
incarnations.
The two Ranis then tell Gatwa that when the clock strikes midnight they
are going to unleash the most powerful force that ever existed and the
baby and shit is some sort of power-source and amplifier.
As the midnight hour approaches all of London outside of the protective
threshold starts to disintegrate and Belinda is kicked outside of it by
the Ranis's storm troopers.
Gatwa asks the Indian Rani what this powerful force is and she tells him
it is none other than the First Ever Time Lord, Omega!
I thought the Timeless Child monster was the first ever Time Lord, or
was it Tekteun who we were shown founding the Time Lords? Huh...?
If Gatwa is supposed to be the Timeless Child monster then that would
mean that Gatwa is Omega. That would make sense since Peter Davision's
DNA was an exact match to that of Omega in Arc of Infinity.
Everything has now almost completely disintegrated because none of it
was real since it was created by Conrad but Gatwa remarks that he knows
his daughter with Belinda, Poppy, is real.
Does that mean that the girl with the ugly vertical hair who looks like
the Timeless Child monster is Omega? And maybe Omega is Gatwa too? Or is
Omega someone else? Is the Rani the Timeless Child monster?
And that's where it ends...
Is RTD about to retcon the Timeless Child monster?
0/10 if he doesn't, 1/10 if he does and it's Omega, 2/10 if he does and
it's not the Doctor, 10/10 if the entire universe Gatwa is in including
Gatwa himself along Jodie Whittaker and the Timeless Child monster are
all retconned out of existence and everything is reset to 2017 where
Peter Capaldi has begun to regenerate inside of a space rocket on the
event horizon of a black hole after being shot by the Cybermen.
Apparently Gatwa has already filmed his regeneration scene. Could it now
be that what has actually been filmed is Peter Capaldi regenerating
directly into Ncuti Gatwa and all the bi-generation and Timeless Child
crap has all been done with?
--
The True Doctor https://www.youtube.com/channel/UCngrZwoS0n21IRcXpKO79Lw
"To be woke is to be uninformed which is exactly the opposite of what it
stands for." -William Shatner
Let us go with 0/10
In article <100t5vn$rmro$2@dont-email.me>,
The True Doctor <agamemnon@hello.to.NO_SPAM> wrote:
On 24/05/2025 19:55, The Doctor wrote:The average so far is 0.5/10 or 1/20
In article <100t2at$rmcq$2@dont-email.me>,
The True Doctor <agamemnon@hello.to.NO_SPAM> wrote:
It all started so well, relativity speaking, with the Rani abducting the >>>> 7th son of a 7th son of a 7th son from Bavaria in 1865. And then Gatwa >>>> shows his ugly face and demonstrates that he is totally incapable of
displaying any kind of acting range whatsoever.
Once again RTD lectures the few remaining viewers using a virtually
non-existent story filled with flashy images and effects, and consisting >>>> of no meaningful substance as a thin wrapper to hold anther disgusting >>>> woke lecture to attack the audience with through his degenerate bigotry. >>>>
Gatwa wakes up in bed with Belinda on 23 May 2025 and fails to realise >>>> that he's homosexual, so what is he doing in bed with a woman? He also >>>> has a child with Belinda, the West Sub-Saharan African girl Belinda saw >>>> two episodes ago in The Story and the Engine, the one with the ugly
vertical hair growing upward into the air called Poppy. Gatwa couldn't >>>> possibly be her father, not because he's gay, but because he's from East >>>> Sub-Saharan Africa and his wife is from India, and she looks nothing
like either of them. Maybe it was part of the plot that he fails to
recognise this.
Despite being set in 21st century London, England, Davies decides to
make it look like its 1950s America. This doesn't work for UK audiences >>>> and it won't work for US audiences either. This American stereotype does >>>> not apply to Britain in the 1950s which unlike America was in a state of >>>> economic depression and unrest having to pay for the cost of WW2. There >>>> were no pretty houses in sub-urban cul-de-sacs surrounded by white
picket fences with perfect pretty housewifes inside of them making
perfect dinners for their perfect husbands and perfect children,
especially in London which was rebuilding after the blitz. Davies
doesn't have a clue about life outside of his own degenerate, narrow
minded, self-centred, woke bubble, let alone British history.
Britain had to wait until the 1960s for its teenage revolution and the >>>> culture was driven by feminism, so no perfect pretty housewifes, and the >>>> hippy movement, the pill, and free sex, so no widespread homophobia
existed or has ever existed in this country since the 1960s.
But the pervert Russell T Davies wants to insert his disgusting woke
massages and lecture us on homophobia by creating yet another false
narrative and contrived situation because he is the real homophobe and >>>> is suffering from a persecution complex. He portrays men as week and
socially inept and places women in positions of power over and above them. >>>>
In the kitchen of Gatwas home cups keep falling off the dinner table and >>>> breaking and they blame it on the girl. Gatwa has a cupboard full of
replacement cups to put on their place.
Millie Gibson turns up at the door and asks Gatwa if he's called the
Doctor. He says no. Gibson leaves perplexed and meets Bonnie Langford in >>>> the street. Gatwa has second thoughts thinking something is amiss then >>>> puts on a bowler hat and sets off to work at UNIT, which is now an
insurance company with the same initials.
At the UNIT office, which again is made to look all 1950s despite being >>>> located in a futuristic glass tower the gay eastern European homosexual >>>> actor who fancies Kate Stewart is told by Gatwa that he's good looking >>>> and should try chatting her up, to which he reacts by questioning
Gatwa's sexuality and insisting he's not gay.
In the streets Millie Gibson finds a bunch of disabled people who are
all homeless, so that RTD can subject everyone to yet another degenerate >>>> woke lecture about disability, which he doesn't understand, in a totally >>>> contrived and unnecessary part of the story.
Millie Gibson then remembers her mother and grandmother who are both black.
Why does the pervert Davies insist on portraying homophobia in the 1950s >>>> and fail to portray racism from that period? Millie Gibson would not
have been allowed to have been adopted by a black women in this kind of >>>> society. None of it makes any sense, not because Davies wants to make it >>>> look that way, but because he wrote the script before anyone was cast in >>>> any of the roles and his degenerate DEI hiring which paid no heed to the >>>> character descriptions resulted in this unbelievability both in the
present and in the past. This is why DEI should have no place whatsoever >>>> in the entertainment industry. It always results in biased and
unjustified descrimination making it impossible for the audience to
suspend their disbelief.
The Indian Rani and Anita Dobson are orchestrating all of this deception >>>> with the baby the Indian Rani abducted from the 7th son of the 7th son >>>> who was his 7th son being the source of it. Why not make it 7
generations of 7th sons? What is the significance or importance to this >>>> magic of being the 7th son, but only 3 generations? Not explained
because Russell T Davies doesn't have a clue how to world build. All
he's interested in is in using very week stories as a wrapper for his
hypocritical degenerate woke messages which is all that matters to him. >>>>
So the baby has these unexplained superpowers of granting wishes that
allow it to create this Wish World after it is placed in the hands of
Conrad from Lucky Coin who Anita Dobson has freed for this purpose.
Conrad has created this world using the baby's wish granting powers and >>>> appears on television every hour telling the story of Doctor Who.
The TV screens are all colour and the sets themselves are from over 50 >>>> years ago but we didn't have colour TV in Britain until 1967. Once again >>>> RTD's contrivance of making it look like 1950s America falls apart.
The woke far left revolutionaries in wheelchairs who Millie Gibson has >>>> met, which include someone who she recognises as UNITs disabled
scientific advisor but is not quite sure, decide to break into the UNIT >>>> offices to figure out why midnight and the coming of the May 24th 2025 >>>> bank holiday is so important. Giant monsters made of bone are all
walking around London and treading over things but their footsteps melt >>>> into nothing before they can do any damage.
Meanwhile Belinda after meeting her mother and gran and being asked why >>>> she doesn't remember being pregnant with the ugly girl she thinks is her >>>> daughter decides to shop in Ncuti Gatwa to the authorities. Gatwa is
arrested but so is Belinda shortly afterwards after being shopped in by >>>> her own mother.
The over all message of the story is that you must believe everything
you have been told by the fascist woke mob who want to control the
state, and if you dare to question any of their degenerate and totally >>>> nonsensical ideology then you will be cancelled, as are Gatwa and
Belinda after starting not to believe what they are seeing is real.
Before his arrest Gatwa sees a vision of Rogue on a television screen in >>>> the middle of one of Conrad's broadcasts talking to him from Hell and
warning him that "tables don't do that". Gatwa realises it refers to all >>>> of the cups falling through the tables everywhere we see, at UNIT HQ, at >>>> the homeless disabled people's shelter that Millie Gibson intrudes into, >>>> and in Gatwa's kitchen with Belinda, who together now become conscious >>>> of what they are seeing as all the cups fall through the table in front >>>> of their eyes. This represents the degenerate woke narrative that RTD
has created falling apart as soon as you start looking at it and asking >>>> questions demanding explanations.
At UNIT HQ the brown haired disabled women in the wheelchair with Millie >>>> Gibson recognises that the tablet computer she is holding is a piece of >>>> UNIT equipment which has the magical power of telling you where signals >>>> come from, and the signal of Conrad's broadcast is coming for a giant
bone spider above the HQ.
Inside the bone spider where Gatwa and Belinda have been taken to by the >>>> woke thought police they are made to cross a protective threshold to
meet the Ranis.
Gatwa doesn't recognise either Rani at first but the Indian Rani tells >>>> him that people on Gallifrey before it was destroyed thought they were >>>> lovers when they danced together. There can be on suspension of
disbelief hearing this because Gatwa is gay. Eventually Gatwa remembers >>>> the Rani, to the sight flashing images of Kate O'Mara and his previous >>>> incarnations.
The two Ranis then tell Gatwa that when the clock strikes midnight they >>>> are going to unleash the most powerful force that ever existed and the >>>> baby and shit is some sort of power-source and amplifier.
As the midnight hour approaches all of London outside of the protective >>>> threshold starts to disintegrate and Belinda is kicked outside of it by >>>> the Ranis's storm troopers.
Gatwa asks the Indian Rani what this powerful force is and she tells him >>>> it is none other than the First Ever Time Lord, Omega!
I thought the Timeless Child monster was the first ever Time Lord, or
was it Tekteun who we were shown founding the Time Lords? Huh...?
If Gatwa is supposed to be the Timeless Child monster then that would
mean that Gatwa is Omega. That would make sense since Peter Davision's >>>> DNA was an exact match to that of Omega in Arc of Infinity.
Everything has now almost completely disintegrated because none of it
was real since it was created by Conrad but Gatwa remarks that he knows >>>> his daughter with Belinda, Poppy, is real.
Does that mean that the girl with the ugly vertical hair who looks like >>>> the Timeless Child monster is Omega? And maybe Omega is Gatwa too? Or is >>>> Omega someone else? Is the Rani the Timeless Child monster?
And that's where it ends...
Is RTD about to retcon the Timeless Child monster?
0/10 if he doesn't, 1/10 if he does and it's Omega, 2/10 if he does and >>>> it's not the Doctor, 10/10 if the entire universe Gatwa is in including >>>> Gatwa himself along Jodie Whittaker and the Timeless Child monster are >>>> all retconned out of existence and everything is reset to 2017 where
Peter Capaldi has begun to regenerate inside of a space rocket on the
event horizon of a black hole after being shot by the Cybermen.
Apparently Gatwa has already filmed his regeneration scene. Could it now >>>> be that what has actually been filmed is Peter Capaldi regenerating
directly into Ncuti Gatwa and all the bi-generation and Timeless Child >>>> crap has all been done with?
--
The True Doctor https://www.youtube.com/channel/UCngrZwoS0n21IRcXpKO79Lw >>>>
"To be woke is to be uninformed which is exactly the opposite of what it >>>> stands for." -William Shatner
Let us go with 0/10
All of the scores I have given are in a state of quantum superposition
until an observation is made of the final episode. You'll have to do
your averages until after that episode has aired or else work out the
probabilities for every eigenstate.
On 24/05/2025 20:24, The Doctor wrote:
In article <100t5vn$rmro$2@dont-email.me>,
The True Doctor <agamemnon@hello.to.NO_SPAM> wrote:
On 24/05/2025 19:55, The Doctor wrote:The average so far is 0.5/10 or 1/20
In article <100t2at$rmcq$2@dont-email.me>,
The True Doctor <agamemnon@hello.to.NO_SPAM> wrote:
It all started so well, relativity speaking, with the Rani abducting the >>>>> 7th son of a 7th son of a 7th son from Bavaria in 1865. And then Gatwa >>>>> shows his ugly face and demonstrates that he is totally incapable of >>>>> displaying any kind of acting range whatsoever.
Once again RTD lectures the few remaining viewers using a virtually
non-existent story filled with flashy images and effects, and consisting >>>>> of no meaningful substance as a thin wrapper to hold anther disgusting >>>>> woke lecture to attack the audience with through his degenerate bigotry. >>>>>
Gatwa wakes up in bed with Belinda on 23 May 2025 and fails to realise >>>>> that he's homosexual, so what is he doing in bed with a woman? He also >>>>> has a child with Belinda, the West Sub-Saharan African girl Belinda saw >>>>> two episodes ago in The Story and the Engine, the one with the ugly
vertical hair growing upward into the air called Poppy. Gatwa couldn't >>>>> possibly be her father, not because he's gay, but because he's from East >>>>> Sub-Saharan Africa and his wife is from India, and she looks nothing >>>>> like either of them. Maybe it was part of the plot that he fails to
recognise this.
Despite being set in 21st century London, England, Davies decides to >>>>> make it look like its 1950s America. This doesn't work for UK audiences >>>>> and it won't work for US audiences either. This American stereotype does >>>>> not apply to Britain in the 1950s which unlike America was in a state of >>>>> economic depression and unrest having to pay for the cost of WW2. There >>>>> were no pretty houses in sub-urban cul-de-sacs surrounded by white
picket fences with perfect pretty housewifes inside of them making
perfect dinners for their perfect husbands and perfect children,
especially in London which was rebuilding after the blitz. Davies
doesn't have a clue about life outside of his own degenerate, narrow >>>>> minded, self-centred, woke bubble, let alone British history.
Britain had to wait until the 1960s for its teenage revolution and the >>>>> culture was driven by feminism, so no perfect pretty housewifes, and the >>>>> hippy movement, the pill, and free sex, so no widespread homophobia
existed or has ever existed in this country since the 1960s.
But the pervert Russell T Davies wants to insert his disgusting woke >>>>> massages and lecture us on homophobia by creating yet another false
narrative and contrived situation because he is the real homophobe and >>>>> is suffering from a persecution complex. He portrays men as week and >>>>> socially inept and places women in positions of power over and above them.
In the kitchen of Gatwas home cups keep falling off the dinner table and >>>>> breaking and they blame it on the girl. Gatwa has a cupboard full of >>>>> replacement cups to put on their place.
Millie Gibson turns up at the door and asks Gatwa if he's called the >>>>> Doctor. He says no. Gibson leaves perplexed and meets Bonnie Langford in >>>>> the street. Gatwa has second thoughts thinking something is amiss then >>>>> puts on a bowler hat and sets off to work at UNIT, which is now an
insurance company with the same initials.
At the UNIT office, which again is made to look all 1950s despite being >>>>> located in a futuristic glass tower the gay eastern European homosexual >>>>> actor who fancies Kate Stewart is told by Gatwa that he's good looking >>>>> and should try chatting her up, to which he reacts by questioning
Gatwa's sexuality and insisting he's not gay.
In the streets Millie Gibson finds a bunch of disabled people who are >>>>> all homeless, so that RTD can subject everyone to yet another degenerate >>>>> woke lecture about disability, which he doesn't understand, in a totally >>>>> contrived and unnecessary part of the story.
Millie Gibson then remembers her mother and grandmother who are both black.
Why does the pervert Davies insist on portraying homophobia in the 1950s >>>>> and fail to portray racism from that period? Millie Gibson would not >>>>> have been allowed to have been adopted by a black women in this kind of >>>>> society. None of it makes any sense, not because Davies wants to make it >>>>> look that way, but because he wrote the script before anyone was cast in >>>>> any of the roles and his degenerate DEI hiring which paid no heed to the >>>>> character descriptions resulted in this unbelievability both in the
present and in the past. This is why DEI should have no place whatsoever >>>>> in the entertainment industry. It always results in biased and
unjustified descrimination making it impossible for the audience to
suspend their disbelief.
The Indian Rani and Anita Dobson are orchestrating all of this deception >>>>> with the baby the Indian Rani abducted from the 7th son of the 7th son >>>>> who was his 7th son being the source of it. Why not make it 7
generations of 7th sons? What is the significance or importance to this >>>>> magic of being the 7th son, but only 3 generations? Not explained
because Russell T Davies doesn't have a clue how to world build. All >>>>> he's interested in is in using very week stories as a wrapper for his >>>>> hypocritical degenerate woke messages which is all that matters to him. >>>>>
So the baby has these unexplained superpowers of granting wishes that >>>>> allow it to create this Wish World after it is placed in the hands of >>>>> Conrad from Lucky Coin who Anita Dobson has freed for this purpose.
Conrad has created this world using the baby's wish granting powers and >>>>> appears on television every hour telling the story of Doctor Who.
The TV screens are all colour and the sets themselves are from over 50 >>>>> years ago but we didn't have colour TV in Britain until 1967. Once again >>>>> RTD's contrivance of making it look like 1950s America falls apart.
The woke far left revolutionaries in wheelchairs who Millie Gibson has >>>>> met, which include someone who she recognises as UNITs disabled
scientific advisor but is not quite sure, decide to break into the UNIT >>>>> offices to figure out why midnight and the coming of the May 24th 2025 >>>>> bank holiday is so important. Giant monsters made of bone are all
walking around London and treading over things but their footsteps melt >>>>> into nothing before they can do any damage.
Meanwhile Belinda after meeting her mother and gran and being asked why >>>>> she doesn't remember being pregnant with the ugly girl she thinks is her >>>>> daughter decides to shop in Ncuti Gatwa to the authorities. Gatwa is >>>>> arrested but so is Belinda shortly afterwards after being shopped in by >>>>> her own mother.
The over all message of the story is that you must believe everything >>>>> you have been told by the fascist woke mob who want to control the
state, and if you dare to question any of their degenerate and totally >>>>> nonsensical ideology then you will be cancelled, as are Gatwa and
Belinda after starting not to believe what they are seeing is real.
Before his arrest Gatwa sees a vision of Rogue on a television screen in >>>>> the middle of one of Conrad's broadcasts talking to him from Hell and >>>>> warning him that "tables don't do that". Gatwa realises it refers to all >>>>> of the cups falling through the tables everywhere we see, at UNIT HQ, at >>>>> the homeless disabled people's shelter that Millie Gibson intrudes into, >>>>> and in Gatwa's kitchen with Belinda, who together now become conscious >>>>> of what they are seeing as all the cups fall through the table in front >>>>> of their eyes. This represents the degenerate woke narrative that RTD >>>>> has created falling apart as soon as you start looking at it and asking >>>>> questions demanding explanations.
At UNIT HQ the brown haired disabled women in the wheelchair with Millie >>>>> Gibson recognises that the tablet computer she is holding is a piece of >>>>> UNIT equipment which has the magical power of telling you where signals >>>>> come from, and the signal of Conrad's broadcast is coming for a giant >>>>> bone spider above the HQ.
Inside the bone spider where Gatwa and Belinda have been taken to by the >>>>> woke thought police they are made to cross a protective threshold to >>>>> meet the Ranis.
Gatwa doesn't recognise either Rani at first but the Indian Rani tells >>>>> him that people on Gallifrey before it was destroyed thought they were >>>>> lovers when they danced together. There can be on suspension of
disbelief hearing this because Gatwa is gay. Eventually Gatwa remembers >>>>> the Rani, to the sight flashing images of Kate O'Mara and his previous >>>>> incarnations.
The two Ranis then tell Gatwa that when the clock strikes midnight they >>>>> are going to unleash the most powerful force that ever existed and the >>>>> baby and shit is some sort of power-source and amplifier.
As the midnight hour approaches all of London outside of the protective >>>>> threshold starts to disintegrate and Belinda is kicked outside of it by >>>>> the Ranis's storm troopers.
Gatwa asks the Indian Rani what this powerful force is and she tells him >>>>> it is none other than the First Ever Time Lord, Omega!
I thought the Timeless Child monster was the first ever Time Lord, or >>>>> was it Tekteun who we were shown founding the Time Lords? Huh...?
If Gatwa is supposed to be the Timeless Child monster then that would >>>>> mean that Gatwa is Omega. That would make sense since Peter Davision's >>>>> DNA was an exact match to that of Omega in Arc of Infinity.
Everything has now almost completely disintegrated because none of it >>>>> was real since it was created by Conrad but Gatwa remarks that he knows >>>>> his daughter with Belinda, Poppy, is real.
Does that mean that the girl with the ugly vertical hair who looks like >>>>> the Timeless Child monster is Omega? And maybe Omega is Gatwa too? Or is >>>>> Omega someone else? Is the Rani the Timeless Child monster?
And that's where it ends...
Is RTD about to retcon the Timeless Child monster?
0/10 if he doesn't, 1/10 if he does and it's Omega, 2/10 if he does and >>>>> it's not the Doctor, 10/10 if the entire universe Gatwa is in including >>>>> Gatwa himself along Jodie Whittaker and the Timeless Child monster are >>>>> all retconned out of existence and everything is reset to 2017 where >>>>> Peter Capaldi has begun to regenerate inside of a space rocket on the >>>>> event horizon of a black hole after being shot by the Cybermen.
Apparently Gatwa has already filmed his regeneration scene. Could it now >>>>> be that what has actually been filmed is Peter Capaldi regenerating
directly into Ncuti Gatwa and all the bi-generation and Timeless Child >>>>> crap has all been done with?
--
The True Doctor https://www.youtube.com/channel/UCngrZwoS0n21IRcXpKO79Lw >>>>>
"To be woke is to be uninformed which is exactly the opposite of what it >>>>> stands for." -William Shatner
Let us go with 0/10
All of the scores I have given are in a state of quantum superposition
until an observation is made of the final episode. You'll have to do
your averages until after that episode has aired or else work out the
probabilities for every eigenstate.
Where did you get that from?
--
The True Doctor https://www.youtube.com/channel/UCngrZwoS0n21IRcXpKO79Lw
"To be woke is to be uninformed which is exactly the opposite of what it >stands for." -William Shatner
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