• no more coyotes.... a few audio related questions

    From Jake T@21:1/5 to All on Wed Feb 16 09:05:47 2022
    My experience capturing the coyote audio was good, but I always want to
    strive for the "excellent" category. As I could only get so close to
    them now, I have considered alternate set ups to maybe lessen the
    distance gap, either through travel to a remote area, much further away,
    or electronically.

    I'm thinking electronically if I stay put and continue the remote
    recordings. I recently came across the chart and information here:

    https://practicalmechanic.com/2021/01/24/should-i-get-a-zoom-h2n-pros-and-cons-final-verdict/

    Unfortunately, my H2 is about the worst in this category! According to
    the info there, I would need a Zoom H4n Pro or further on down the chart
    to meet the needs of "field recording." Is my Zoom H2 that bad??

    Considering an upgrade, but the following factors apply:

    1) As almost everyone here who has been following my posts knows, I can
    only get so close to the coyotes. The remote area where I mount the
    recorder nightly is a lot closer, but I still have to use compression
    and even NR to bring out a better result. With a recorder like the H4n
    Pro, after normalizing the quiet recordings, would the background noise, theoretically assuming I wouldn't have it, be low enough that the
    resultant amplitude increase would sound good without having to use NR?

    2) The kicker IS the background noise. Close to the neighborhood with
    cars coming and going,, etc. All of this has shown up in my recordings
    to date even with the rear side of the Zoom facing the neighborhood and
    set to the front 90 deg setting. I can't use my homemade dish at that location, but maybe there's a more directional mike I could make like
    shown here:


    https://acousticnature.com/journal/how-to-make-diy-microphone-with-em172-272-capsules


    I don't think those elements are directional, but I think I encountered
    some, perhaps made by the same firm, that were. My research also
    suggests that a simple low noise, external mic from one of these or
    similar elements might negate the high inherent noise from my Zoom as
    well (but I'm not sure how if my Zoom unit itself starts off with that
    -99 dB noise).

    As you know from other posts, I am primarily a DIYer with a limited
    budget. Something like a used Zoom H4n or 5 would be stretching it.

    Your thoughts would be welcome, as always. Thanks in advance.

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  • From david gourley@21:1/5 to All on Wed Feb 16 16:10:21 2022
    Jake T <jaketbone@steak.com> said...news:suj0bs$4s0$1@dont-email.me:

    -snippage-

    1) As almost everyone here who has been following my posts knows, I can
    only get so close to the coyotes. The remote area where I mount the
    recorder nightly is a lot closer, but I still have to use compression
    and even NR to bring out a better result. With a recorder like the H4n
    Pro, after normalizing the quiet recordings, would the background noise, theoretically assuming I wouldn't have it, be low enough that the
    resultant amplitude increase would sound good without having to use NR?

    2) The kicker IS the background noise. Close to the neighborhood with
    cars coming and going,, etc. All of this has shown up in my recordings
    to date even with the rear side of the Zoom facing the neighborhood and
    set to the front 90 deg setting. I can't use my homemade dish at that location, but maybe there's a more directional mike I could make like
    shown here:


    https://acousticnature.com/journal/how-to-make-diy-microphone-with-em172- 272-capsules


    I don't think those elements are directional, but I think I encountered
    some, perhaps made by the same firm, that were. My research also
    suggests that a simple low noise, external mic from one of these or
    similar elements might negate the high inherent noise from my Zoom as
    well (but I'm not sure how if my Zoom unit itself starts off with that
    -99 dB noise).

    As you know from other posts, I am primarily a DIYer with a limited
    budget. Something like a used Zoom H4n or 5 would be stretching it.

    Your thoughts would be welcome, as always. Thanks in advance.




    I just got an H4n Pro and love it. It's quiet and has been great for
    getting outdoor sounds. I usually put it on a stand and walk away, but
    will try some external mics soon. Lots of great built-in features, too.

    They go on sale occasionally, or check Reverb.

    david

    --
    This email has been checked for viruses by Avast antivirus software. https://www.avast.com/antivirus

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  • From Jake T@21:1/5 to david gourley on Wed Feb 16 11:19:22 2022
    On 2/16/22 11:10, david gourley wrote:



    I just got an H4n Pro and love it. It's quiet and has been great for
    getting outdoor sounds. I usually put it on a stand and walk away, but
    will try some external mics soon. Lots of great built-in features, too.

    They go on sale occasionally, or check Reverb.

    david


    Initially, I was leaning perhaps towards that one, but then came across
    this site which seems to have better noise testing results:

    https://www.avisoft.com/recorder-tests/

    According to the specs there, the noise isn't much better than the Zoom
    H2 I use now. So, now I'm looking at the H5 as a possible candidate.

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  • From John Williamson@21:1/5 to Jake T on Wed Feb 16 21:13:09 2022
    On 16/02/2022 16:19, Jake T wrote:

    Initially, I was leaning perhaps towards that one, but then came across
    this site which seems to have better noise testing results:

    https://www.avisoft.com/recorder-tests/

    According to the specs there, the noise isn't much better than the Zoom
    H2 I use now. So, now I'm looking at the H5 as a possible candidate.

    The problem is that, especially with the built in mics, all the portable recorders, no matter who makes them, are pushing the same limits for
    noise and gain. There is only so much that the laws of physics say can
    be done with small diaphragm microphones. The limits are thermal noise
    and low signal in the preamps and brownian motion noise related to the diaphragms. The smaller the diaphragm the smaller the signal and the
    larger the brownian motion noise in relation to the signal picked up.

    I have the early H2 and an H4n Pro, and in normal use, they are
    practically indistinguishable. The H2 scores by having 4 microphones
    available so it is sometimes possible, with a bit of jiggery pokery, to
    reduce sound levels from the back, such as audience noise and room
    sound. As the H4 only has two built in microphones, this trick can't be
    used.

    There are also some noise reduction tricks which can be used in the
    preamp if there is enough power available, but a couple of pen cells
    can't provide that amount of power with a reasonable battery life.

    --
    Tciao for Now!

    John.

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  • From Jake T@21:1/5 to All on Wed Feb 16 19:06:11 2022
    On 2/16/22 09:05, Jake T wrote:

    So, I'm going to try renting a Zoom H5 for a couple of weeks. If anyone
    is familiar, I would appreciate some tips before it arrives. One thing
    I like is that it apparently records a double file of 12 dB less volume
    if so desired. I hope I can try that with my SDHC card at 24bit/44.
    May be too high a sampling rate.

    It looks like it's directional when in stereo mode, but, instead of
    being vertical, has to be horizontal with the top mics in the direction
    of the desired sound.

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  • From John Williamson@21:1/5 to Jake T on Thu Feb 17 08:52:32 2022
    On 17/02/2022 00:06, Jake T wrote:
    On 2/16/22 09:05, Jake T wrote:

    So, I'm going to try renting a Zoom H5 for a couple of weeks. If anyone
    is familiar, I would appreciate some tips before it arrives. One thing
    I like is that it apparently records a double file of 12 dB less volume
    if so desired. I hope I can try that with my SDHC card at 24bit/44. May
    be too high a sampling rate.

    It looks like it's directional when in stereo mode, but, instead of
    being vertical, has to be horizontal with the top mics in the direction
    of the desired sound.

    If you read the information page on the Zoom website, you will find
    there are a number of capsules available, ranging from a side facing
    mono one to an end-on stereo short shotgun capsule with a short
    description of each one's features. The preamps are better than the H2
    and H4n ones, as they are identical to the H6

    https://zoomcorp.com/en/gb/handheld-recorders/handheld-recorders/h5/

    The capsule that comes with it is as standard is a 90 degree stereo
    crossed XY setup, whose design means the recorder need to be end on to
    the source, as do all the others except the mono capsule.

    Have you read the manual which is available online?

    https://www.zoom.co.jp/sites/default/files/products/downloads/pdfs/E_H5_0.pdf

    --
    Tciao for Now!

    John.

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  • From geoff@21:1/5 to John Williamson on Fri Feb 18 09:25:32 2022
    On 17/02/2022 10:13 am, John Williamson wrote:
    .

    There are also some noise reduction tricks which can be used in the
    preamp if there is enough power available, but a couple of pen cells
    can't provide that amount of power with a reasonable battery life.


    Not with Alkaline, Ni-HM or Ni-Cd (remember them ?!!!) or dry-cells.

    But Lithium cells make a few things more practical.

    geoff

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  • From Liz Tuddenham@21:1/5 to geoff on Thu Feb 17 22:29:04 2022
    geoff <geoff@nospamgeoffwood.org> wrote:

    On 17/02/2022 10:13 am, John Williamson wrote:
    .

    There are also some noise reduction tricks which can be used in the
    preamp if there is enough power available, but a couple of pen cells
    can't provide that amount of power with a reasonable battery life.


    Not with Alkaline, Ni-HM or Ni-Cd (remember them ?!!!) or dry-cells.

    But Lithium cells make a few things more practical.

    Use bigger batteies on the outside and connect them via. a couple of
    bits of wooden dowel with contact screws (dummy batteries) in the
    battery compartment.


    --
    ~ Liz Tuddenham ~
    (Remove the ".invalid"s and add ".co.uk" to reply)
    www.poppyrecords.co.uk

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  • From John Williamson@21:1/5 to Liz Tuddenham on Thu Feb 17 23:01:04 2022
    On 17/02/2022 22:29, Liz Tuddenham wrote:
    geoff <geoff@nospamgeoffwood.org> wrote:

    On 17/02/2022 10:13 am, John Williamson wrote:
    .

    There are also some noise reduction tricks which can be used in the
    preamp if there is enough power available, but a couple of pen cells
    can't provide that amount of power with a reasonable battery life.


    Not with Alkaline, Ni-HM or Ni-Cd (remember them ?!!!) or dry-cells.

    But Lithium cells make a few things more practical.

    Use bigger batteies on the outside and connect them via. a couple of
    bits of wooden dowel with contact screws (dummy batteries) in the
    battery compartment.


    All very well, bur the preamps in the recorders are designed to minimise
    power consumption, not noise. For instance, the H5 adverts claim to use
    Class A biasing in the preamps, but I'd guess it's as close to class B
    biasing as they can get it, for instance.

    On the H5, all you need is a phone type recharging power bank and a USB
    lead. By using a 6 volt pack, you can connect to the mains supply point
    on the H2 without any bodgery.
    --
    Tciao for Now!

    John.

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  • From Tobiah@21:1/5 to All on Thu Feb 17 15:39:25 2022
    "bodgery". I must try to work this word into my daily lexicon.
    It sounds British, is it?

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  • From Jake T@21:1/5 to All on Thu Feb 17 20:16:28 2022
    It's on its way. I always use an external lithium battery with my H2, otherwise it would never last the 12-13 hours a night I usually record.
    Also, I must heat the recorder with some heat tape wrapped around it
    at very low wattage; otherwise it shuts down if temps drop below
    freezing for too long. The same battery and heater can be used for the
    H5. Looks like the H5 has USB input for power also, so can use the USB
    output from my battery.

    I almost went with the H4n Pro, but it didn't have a feature I wanted to
    try and that was the backup recording feature the H5 has. I want to try recording both compressed and non-compressed audio simultaneously. I
    suppose I could have used the H2 for one mode, but then more to have to
    set up at the remote site and there is limited space.

    The H5 should arrive here in about a week, then I have a two week rental.

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  • From Jake T@21:1/5 to All on Thu Feb 17 20:20:37 2022
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  • From John Williamson@21:1/5 to Tobiah on Fri Feb 18 07:30:19 2022
    On 17/02/2022 23:39, Tobiah wrote:
    "bodgery". I must try to work this word into my daily lexicon.
    It sounds British, is it?

    You are unlikely to find it in a dictionary, but I am British.,

    --
    Tciao for Now!

    John.

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  • From Liz Tuddenham@21:1/5 to Tobiah on Fri Feb 18 09:47:38 2022
    Tobiah <toby@tobiah.org> wrote:

    "bodgery". I must try to work this word into my daily lexicon.
    It sounds British, is it?

    The word should be "Botchery". and it is definitely British english:

    "Botch: Make a clumsy patch; bungled work; repair badly. (From English
    'patch' or German 'batzen'.)"

    A 'Bodger' was an itinerant chair leg maker who carried a small pole
    lathe on his back and turned chair legs from suitable pieces of wood
    which he found in the forest. He was a skilled worker and it is a pity
    that bodgery has become confused with botchery, which is highly
    unskilled ( although I have raised it to a fine art on certain
    occasions).


    --
    ~ Liz Tuddenham ~
    (Remove the ".invalid"s and add ".co.uk" to reply)
    www.poppyrecords.co.uk

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