• Re: Dylan's set at Live Aid is misunderstood

    From Will-Dockery@21:1/5 to All on Fri Oct 18 13:48:56 2024
    Radioactive ABQ wrote:
    Call me psychotic if you like--as so many rec.music.Dylanologists
    have in
    the past, that I quit posting here half a decade ago--but I happen
    to consider
    two-thirds of the Live Aid set to have lived up to the word
    Nicholson used
    while introducing Dylan that Saturday in Philadelphia:
    "transcendant".
    ("Ballad of Hollis Brown" was terrific, followed by an
    utterly remarkable "When
    the Ship Comes In", but "Blowin' in the
    Wind"...well, yeah, that one "blows"
    alright.)

    But yes, I recognize that this is not merely a minority view,
    but I may be
    (with Paul Loeber) in a minority of two regarding this opinion.
    Indeed, it's
    such a contrarian view that I'm devoting an entire chapter of my
    forthcoming
    book on Dylan's body of work to defending it to all you young'ins
    who can't
    seem to see the Dylan forest for the trees.

    And yes, I'm fully aware that Dylan himself doesn't defend his
    Live Aid
    work. But over the last nearly five decades, he's seldom been the
    best arbiter
    of his work.

    Sincerely,
    BRYAN STYBLE/Albuquerque
    "Radioactive Albuquerque w/ Bryan Styble"
    KKNS Talk Radio 1310 kHz Mon-Fri 4-6pm


    Well put.


    This is a response to the post seen at: http://www.jlaforums.com/viewtopic.php?p=675217070#675217070

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