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From ggggg9271@gmail.com@21:1/5 to All on Tue Aug 4 21:35:43 2020

https://www.latimes.com/archives/la-xpm-1991-04-26-ca-448-story.html

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* Origin: fsxNet Usenet Gateway (21:1/5)

From ggggg9271@gmail.com@21:1/5 to gggg...@gmail.com on Wed Sep 9 19:22:03 2020

On Tuesday, August 4, 2020 at 9:35:45 PM UTC-7, gggg...@gmail.com wrote:

https://www.latimes.com/archives/la-xpm-1991-04-26-ca-448-story.html

According to this Maeterlinck's play also "...never achieved great success on the stage...":

https://en.wikipedia.org/wiki/Pell%C3%A9as_and_M%C3%A9lisande

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From ggggg9271@gmail.com@21:1/5 to gggg...@gmail.com on Wed Sep 9 19:38:02 2020

On Wednesday, September 9, 2020 at 7:22:05 PM UTC-7, gggg...@gmail.com wrote:

On Tuesday, August 4, 2020 at 9:35:45 PM UTC-7, gggg...@gmail.com wrote:

https://www.latimes.com/archives/la-xpm-1991-04-26-ca-448-story.html

According to this Maeterlinck's play also "...never achieved great success on the stage...":

https://en.wikipedia.org/wiki/Pell%C3%A9as_and_M%C3%A9lisande

Does the following also apply to the opera?:

- ...Maeterlinck and the other symbolists were less interested in the clear narration of a story than in the creation of a mysterious aura that would involve the spectator through the stimulation of the imagination..

https://www.google.com/search?tbm=bks&hl=en&q=%22maeterlinck+and+the+other+symbolists+were+less+interested+in+the+clear+narration+of+a+story+than+in+the+creation+of+a+mysterious+aura+that+would+involve+the+spectator+through+the+stimulation+of+the+
imagination%22

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* Origin: fsxNet Usenet Gateway (21:1/5)

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