• Report on the NF&LAB Folk Festival so far

    From David Dalton@21:1/5 to All on Sun Jul 14 01:49:45 2024
    XPost: alt.religion.druid, alt.music.alternative.female, alt.native
    XPost: alt.music.canada, rec.music.folk

    I’ve caught most of the first two nights of the
    Newfoundland and Labrador Folk Festival.

    On Friday night I caught Ukrainian folk singer Maryna Krut, who
    was well received, followed by Nico Paolo, who is originally
    from Portugal but is now based here, and was a hit with
    her dreamy original songs. Then came jazz/world music
    fusion group Ouroboros, who got some kids dancing. Then
    to close the night there was indigenous folk rock band
    Digging Roots followed by headliner indigenous songwriter
    William Prince with a full band.

    Earlier tonight I caught the last couple of songs by Labrador
    singer Richard Neville as I was walking in, followed by a
    set from songwriter Mo Kenney, then some Hindi songs,
    many influenced by Bollywood, from the Bageshree Vaze
    Ensemble, then a mix of gypsy jazz and some celtic music
    from Duane Andrews and The Hot Club of Conception Bay.
    Then to close the night there was a solo set from Steve Earle,
    joined by Emmylou Harris on one song, then a set from
    Emmylou Harris Band, joined by Steve Earle in the encore.

    My impressions so far is that I was a bit more impressed
    by last night’s performance from Digging Roots and
    William Prince Band than by Steve Earle and Emmylou
    Harris. Digging Roots and William Prince Band seemed
    to have and draw on a connection to the land a little
    better. Also I think that Steve and Emmylou were
    treating it as a routine gig and weren’t very pumped
    up for it, whereas the indigenous acts were. And
    Steve may have been a tiny bit depressed to start,
    which I tried to remedy. But don’t get me wrong, I
    was still very impressed by Steve and Emmylou. And
    they drew probably the largest crowd ever for the
    folk festival, and at the highest ever ticket price.

    Tomorrow night I will follow up on this with a report
    on the third night, which will feature some stellar
    celtic folk acts.

    Oh, and I noted that Mo Kenney is bimT,
    like Kellie Loder and Liz Fagan, and
    William Prince’s backup singer and fiancee
    is gayT (and William Prince is bim, male
    attracted to both genders, so they are optimally
    sexually compatible, and indeed he is more
    compatible with her than with bifs and straight-type-1
    women).

    --
    David Dalton dalton@nfld.com https://www.nfld.com/~dalton (home page) https://www.nfld.com/~dalton/dtales.html Salmon on the Thorns (mystic page) “And the cart is on a wheel; And the wheel is on a hill; And the
    hill is shifting sand; And inside these laws we stand" (Ferron)

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  • From David Dalton@21:1/5 to All on Mon Jul 15 01:40:22 2024
    XPost: alt.religion.druid, alt.music.alternative.female, alt.native
    XPost: alt.music.canada, rec.music.folk

    On Jul 14, 2024, David Dalton wrote
    (in article<0001HW.2C438961002981537000069AD38F@news.eternal-september.org>):

    I’ve caught most of the first two nights of the
    Newfoundland and Labrador Folk Festival.

    On Friday night I caught Ukrainian folk singer Maryna Krut, who
    was well received, followed by Nico Paolo, who is originally
    from Portugal but is now based here, and was a hit with
    her dreamy original songs. Then came jazz/world music
    fusion group Ouroboros, who got some kids dancing. Then
    to close the night there was indigenous folk rock band
    Digging Roots followed by headliner indigenous songwriter
    William Prince with a full band.

    Earlier tonight I caught the last couple of songs by Labrador
    singer Richard Neville as I was walking in, followed by a
    set from songwriter Mo Kenney, then some Hindi songs,
    many influenced by Bollywood, from the Bageshree Vaze
    Ensemble, then a mix of gypsy jazz and some celtic music
    from Duane Andrews and The Hot Club of Conception Bay.
    Then to close the night there was a solo set from Steve Earle,
    joined by Emmylou Harris on one song, then a set from
    Emmylou Harris Band, joined by Steve Earle in the encore.

    My impressions so far is that I was a bit more impressed
    by last night’s performance from Digging Roots and
    William Prince Band than by Steve Earle and Emmylou
    Harris. Digging Roots and William Prince Band seemed
    to have and draw on a connection to the land a little
    better. Also I think that Steve and Emmylou were
    treating it as a routine gig and weren’t very pumped
    up for it, whereas the indigenous acts were. And
    Steve may have been a tiny bit depressed to start,
    which I tried to remedy. But don’t get me wrong, I
    was still very impressed by Steve and Emmylou. And
    they drew probably the largest crowd ever for the
    folk festival, and at the highest ever ticket price.

    Tomorrow night I will follow up on this with a report
    on the third night, which will feature some stellar
    celtic folk acts.

    On Sunday evening I didn’t get there until 5:05 p.m., so
    I missed youth opener Katie Anne Colbourne and
    Quebecois and French-Newfoundland power celtic
    duo Port-Aux-Poutines, who I had been hoping to
    hear since I have been impressed with what I have
    heard from them on CHMR 93.5 FM ( https://www.chmr.ca/ ).

    Then came Scottish and Newfoundland celtic supergroup
    The Doug Dorward Collective, featuring three fiddlers
    (Doug, his wife Emilia Batellas, and his sister Sarah)
    and an accordion player (Sarah’s husband). Doug
    is from Scotland but now lives here, and his sister
    and brother-in-law are visiting for the first time.

    Then came the fivesome called Portage, featuring
    four fiddlers (though one also plays cello) and
    a guitarist, doing a mix of celtic, old-time, and
    native fiddle tunes. They featured local stalwarts
    Christina Smith on fiddle and cello and Jean Hewson
    on guitar.

    Then there was a set of three songs from the Equinor
    Newfound Talent contest winners, a young duo named
    Charlie Rose and Sydney, who got a standing ovation.

    Next came incredible fiddler Maria Cherwick and her
    band Jockey Special, doing a mix of tunes composed
    by Maria, some classical tunes arranged in a folk vein,
    some traditional Newfoundland tunes, some tunes
    composed by Dave Penny, and some Ukrainian tunes.

    Then there was a set from Quebecois trio De Temps Antan,
    who really rocked though they played just folk instruments
    and stomping boots and vocals. They had the most
    people dancing of any group in the night.

    Finally local trio The Ennis Sisters, backed by keyboard
    player Wade Tarling and fiddler Carole Bestvater, closed
    the night with a long set, and they had the second largest
    number of dancers for the night. They did a mix of
    traditional songs and tunes and some original songs
    by Maureen Ennis. Theresa Ennis has really improved
    on bodhran and Karen Ennis has really improved on
    tin whistle and button accordion since I heard them last.

    So Sunday night was a night of some stellar celtic acts,
    though I would have preferred if they had been spread
    over the three nights. But it should make for some
    good session(s) tonight. Speaking of that, I didn’t
    try to get into the after party at The Ship Pub, since
    that is reserved for volunteers, musicians, and staff,
    though maybe as a lifetime member of the folk arts
    society I could have talked my way in, but I have
    other matters to attend to tonight.

    --
    David Dalton dalton@nfld.com https://www.nfld.com/~dalton (home page) https://www.nfld.com/~dalton/dtales.html Salmon on the Thorns (mystic page) “And the cart is on a wheel; And the wheel is on a hill; And the
    hill is shifting sand; And inside these laws we stand" (Ferron)

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